Diana Vreeland (1903-1989) was hired as a columnist
at Harper's Bazaar by Carmel Snow in 1932. From 1936 to
1962, she was the magazine's Fashion Editor. Following Bazaar,
Vreeland was the editor in chief of Vogue from 1963 to
1971, and later worked at the Costume Institute at the Metropolitan
Museum of Art.
Alexander Vreeland is the grandson of Diana Vreeland and the
president of the Diana Vreeland Estate. He is the author
of Diana Vreeland Memos (Rizzoli, 2013).
"Featuring every magazine cover under her direction, the book also
presents a selection of editorial features that best illustrate her
visionary perspective and creative collaborations with industry
veterans."
-BlouinArtinfoBlogs.com
"Dive into the three decades Diana Vreeland spent at Harper's
Bazaar and marvel at her matchless expertise and distinct view
within the fashion industry."
-THE SOCIETY DIARIES
"If you've ever wanted to peer into the mindset of a creative
visionary at the helm of a major publication, this book offers just
that. Featuring every issue of Harpers Bazaar under her keen
eye, this lovely book gives us a closer look at Vreeland's
influence over the magazine and a visual history of her celebrated
editorial eye."
-LIFE IN A VENTI CUP BLOG
"What raises [Diana Vreeland: Modern Woman] above the rest is that
it replicates the actual pages laid out by Vreeland, as seen in
Harper’s each month from the ‘30s to the ‘60s. They elevate the
book to the level of visual primer: a ‘how to’ for stylists,
photographers, models and, above all, art directors. . . As
this book shows, Vreeland knew more about the value of white space
and the pithy epithet than any other editor of her time."
-THE BUSINESS OF FASHION
"This is a must have, must read, must see book that can only
delight those who revel in fashion. Alexander Vreeland reminds us
all that his grandmother was indeed the high priestess of fashion.
Thank you for this great souvenir and recollection of just how
astoundingly and fashionably brilliant she was!"
-THE NEW YORK JOURNAL OF BOOKS
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