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Digital Lives in the Global City asks how digital technologies are remaking urban life around the world, from migrant work in Singapore to digital debt in Toronto, illegal buildings in Mumbai, and targeted policing in New York.
Foreword: The Towers in the World, the World in the Towers / Katerina Cizek
Foreword: When Localities Go Global / Saskia Sassen
Introduction / Deborah Cowen, Alexis Mitchell, Emily Paradis, Brett Story
Toronto
Digital Debt in a Precarious City / Emily Paradis, Heather Frise
Toronto’s Unsecure(d) Urban Debtscape / Alan Walks
Automating Social Inequality / Krystle Maki
ACORN’s Campaign for Affordable Access / Judy Duncan, ACORN
Transmutations / Nehal El-Hadi
Security and Surveillance
Digital Borders and Urban Worlds/ Stephen Graham
Audre Lorde’s File and June Jordan’s Skyrise / Simone Browne
Policing the Future(s) / R. Josh Scannell
Policing Borders through Sound / Anja Kanngieser
Big Data Meet Location Monitoring / James Kilgore
Digital Apartheid / Visualizing Impact
Mumbai
Mumbai Rising, Buildings Falling / Emily Paradis, Brett Story, Deborah Cowen
On "Market-Friendly" Planning in Mumbai / Hussain Indorewala, Shweta Wagh
Kashaf Siddique on Being Precariously Home in the Suburbs / Deborah Cowen, Kashaf Siddique
Dispatch from Mumbai / Deborah Cowen, Paramita Nath
#WhyLoiter / Shilpa Phadke, Sameera Khan
Shifting and Scripting Urban Lives
High-Altitude Protests and Necropolitical Digits / Ju Hui Judy Han
Terabytes of Love / Indu Vashist
The Most Hated Woman in Israel / Shaka McGlotten
DIY WI-FI / Heather Frise
Network Dislocations / Nicole Starosielski
Singapore
The Labour of Global City Building / Alexis Mitchell, Deborah Cowen
Skyline of Dreams / Grace Baey
Sunny Island Set in the Sea / Charmaine Chua
Singapore as “Best Home” / Natalie Oswin
Not Another Cinderella Story / Symon James-Wilson
Index
Deborah Cowen is a professor in the Department of Geography and Planning at the University of Toronto. She is the author of The Deadly Life of Logistics: Mapping Violence in Global Trade and Military Workfare: The Soldier and Social Citizenship in Canada, and coeditor of War, Citizenship, Territory and the Errantries book series at Duke Univeresity Press. Alexis Mitchell is an artist and SSHRC postdoctoral fellow at the Center for Disability Studies at New York University. She has had recent exhibitions at Mercer Union (Toronto), the Berlinale (Berlin), and the BFI London Film Festival, and was an artist-in-residence at Akademie Schloss Solitude, Stuttgart, in 2015–17 and at the MacDowell Colony in New Hampshire in 2018. She often works collaboratively with artist Sharlene Bamboat under the name Bambitchell. Emily Paradis is an instructor with the Urban Studies Program of Innis College at the University of Toronto, a Maytree fellow, a collaborator with the Canadian Observatory on Homelessness, a member of the Right to Housing Coalition, and an independent research consultant. Her scholarship and practice aim to support marginalized communities in claiming spaces and rights in the city. She has authored more than thirty publications on housing policy, homelessness, human rights, and lived expert leadership. Brett Story is an assistant professor in the School of Image Arts at Ryerson University, has a PhD in geography from the University of Toronto, and has held fellowships from the Guggenheim Foundation and the Sundance Documentary Institute. She is the author of Prison Land: Mapping Carceral Power across Neoliberal America and the director of the award winning documentaries, The Prison in Twelve Landscapes, and The Hottest August.
Contributors: Grace Baey, Simone Browne, Charmaine Chua, Katarina Cizek, Judy Duncan, Neha El-Hadi, Heather Frise, Stephen Graham, Ju Hui Judy Han, Hussain Indorewala, Symon James-Wilson, Anja Kanngieser, Sameera Khan, James Kilgore, Krystle Maki, Shaka McGlotten, Lize Mogel, Paramita Nath, Natalie Oswin, Shilpa Phadke, R. Josh Scannell, Kashaf Siddique, Nicole Starosielski, Indu Vashist, Visualizing Impact, Alan Walks, Shweta Wagh
[Digital Lives in the Global City] is a highly engaging and thought
provoking read and an important contribution to both academic and
activist discussions.
*Antipode*
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