Table of Contents

acknowledgements introduction 1 defining documentary 2 fiction and nonfiction: the great divide? 3 the changing face of the historical documentary 4 documentary and comedy 5 animation and documentary representation conclusion: the future of documentary notes bibliography index

About the Author

Paul Ward is Lecturer in Film and Television Studies at Brunel University. He has published on various topics related to documentary, videogames and animation.

Reviews

'This book speaks in a lucid way to a number of the most important issues in documentary film studies at the beginning of the twenty-first century.' Brian Winston, University of Lincoln