Introduction
Films and Dreams
Film Dreams
Filming Dreams
Dreaming Films
Television and Dreams
Chapter I: Dreams that Begin Narratives
Chapter II: Dreams that Develop Narratives
Case Study: The Sopranos
Chapter III: Dreams that Culminate Narratives
Case Study: Buffy the Vampire Slayer
Chapter IV: Dreams that end Narratives
Chapter V: Television Critiques its Dreams
Post Morpheum
Works Cited
Appendix: Television Dream Episodes
First ever extensive examination of the multiple functions of dreams in television stories.
Cynthia Burkhead, Ph.D., is an Assistant Professor of English at the University of North Alabama, US. She is the author of the Student Companion to John Steinbeck and the coeditor of Joss Whedon: Conversations and Grace Under Pressure: Grey's Anatomy Uncovered.
In this deftly written, cogent, comprehensive, and pioneering
study, a must read for every fully conscious TV scholar, Cynthia
Burkhead not only wakes up television studies to the neglected
oneirics of its intricate narratology but provides some dreamy
interpretations of the most engaging and essential televisual
reveries.
*David Lavery, author of Joss Whedon: A Creative Portrait from
Buffy the Vampire Slayer to Marvel’s The Avengers*
Dreams in American Television Narratives: From Dallas to Buffy is a
pioneering study of a cutting-edge topic. This book offers an
engaging examination of ‘television dreaming’ in American-produced
TV drama, showing how dreams function not only to deepen and extend
TV drama stories, but also as vehicles for the psychological
probing of television’s most intriguing characters. Focusing on TV
dramas of the last three decades – from the 1990s ‘quality’ era to
the most audacious examples of ‘complexity’ from recent years –
this study demonstrates that the increased prevalence and
significance of dreams in American TV drama owe much to the
multi-layered, serialised modes of storytelling that increasingly
define this once formulaic and episodic programme category.
*Trisha Dunleavy, Associate Professor of Media Studies at Victoria
University of Wellington, New Zealand, and author of Television
Drama: Form, Agency, Innovation*
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