In Dubliners, completed when Joyce was only twenty-five, we
are given a definitive group portrait. It is a book, as Terence
Brown writes in his stimulating Introduction, 'rooted in an
intensely accurate apprehension of the detail of Dublin life.'
James Joyce (Author)
James Joyce was born on 2 February 1882 in Dublin. He studied modern languages at University College, Dublin. After graduating, Joyce moved to Paris for a brief period in 1902. In 1904 Joyce met Nora Barnacle, with whom he would spend the rest of his life and they moved to Europe and settled in Trieste where Joyce worked as a teacher. His first published work was a book of poems called Chamber Music (1907). This was followed by Dubliners (1914), A Portrait of the Artist as a Young Man (1916) and the play Exiles (1918). In 1915 the First World War forced Joyce and Nora and their two children to move to Z rich. Joyce's most famous novel, Ulysses, was published in Paris in 1922. In the same year he started work on his last great book, Finnegan's Wake (1939). James Joyce died in Z rich on 13 January 1941.
James Joyce (Author)
The eldest of ten children, James Joyce was born in Dublin on the 2nd of February 1882. Despite his family being impoverished by his father's failings as a business man, Joyce was educated at the best Jesuit schools and later in 1898 at University College Dublin. His first published work was a review on Ibsen's play When We Awaken in the Fortnightly Review in 1900. Upon graduating, Joyce moved to Paris in pursuit of a medical career. Before long, he gave up attending lectures and devoted himself to literature. He returned to Dublin as a result of the fatal illness of his mother and shortly afterwards, in 1904, Joyce met Nora Barnacle who was later to become his wife. The young couple travelled to the continent and in 1905 settled in Trieste where they were to remain until 1915. Joyce's first book Chamber Music was published in 1907 as a book of poetry and Dubliners followed in 1914.
The Joyces had two children; Giorgio, born 1905 and Lucia in 1907. Lucia was to develop a disturbing mental illness which greatly affected the family and would remain a prominent factor for the rest of Jocye's life. During the First World War Joyce moved to Zurich where he remained until 1919 when he moved to Paris to work on what is widely understood as his greatest and most prodigious work, Ulysses. After being worked on for eight years, Ulysses was published in Paris in 1922 on Joyces Birthday. It could be true to say that in Ulysses, Joyce attempts to 'know' everything and to add to this 'knowledge' by creating his own language. Joyce's highly experimental and revolutionary work positioned him firmly as one of the key figures of modernism.
As spoken to Georges Borach, one of Joyce's students in Zurich, Joyce comments that 'there are indeed hardly more than a dozen themes in world literature. Then there is an enormous number of combinations of these themes.' He goes on to denounce all the thinkers of the last 200 years and to position Aristotle as the 'greatest thinker of all time.' Such statements are testimony to Joyce's determination in his quest for knowledge, to know what knowledge was and to challenge it. Joyce greatly admired authors such as Dante, D'Annunzio and Ibsen.
Joyce was greatly admired by many authors including Italo Svevo, author of Zeno's Conscience who he met in Trieste and, Samuel Beckett who he met in Paris.
A contender for the finest short story collection ever written, the lyrical beauty of Joyce's writing is enhanced on audio. (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Frank and Malachy McCourt and 13 Irish actors bring Joyce's short stories to life in this well-produced audiobook. None of the readers employ a thick accent in the narrative portions, but for dialogue they let their imitative talents shine and their Irish lilts bloom. Brendan Coyle and Charles Keating, reading "A Little Cloud" and "Grace" respectively, give such wonderful expression to the idiosyncrasies of every individual voice that the listener is never confused even when numerous men are talking. Joyce wrote only sparingly in actual dialect, but most of the readers interpret his intentions freely and successfully. Fionnula Flanagan is perfect reading "A Mother," her voice shifting easily between prim and proper tones and fiery indignation punctuated with little sighs. It helps that Joyce's writing is so masterful that when Flanagan and the two other actresses read the three stories that revolve around women, their words sound utterly natural. Not all the performances are on the same level-Stephen Rea's cold, somber voice is apt for the meditative beginning and ending sections of the collection's most famous story, "The Dead," but too flat for the central description of a lively party. This audiobook creates the atmosphere of a fireside storytelling session that will hold any listener in rapt attention. (May) Copyright 2005 Reed Business Information.
"In Dubliners, Joyce's first attempt to register in language and fictive form the protean complexities of the 'reality of experience, ' he learns the paradoxical lesson that only through the most rigorous economy, only by concentrating on the minutest of particulars, can he have any hope of engaging with the immensity of the world."-from the Introduction
"Joyce renews our apprehension of reality, strengthens our sympathy with our fellow creatures, and leaves us in awe before the mystery of created things." -Atlantic Monthly "It is in the prose of Dubliners that we first hear the authentic rhythms of Joyce the poet...Dubliners is, in a very real sense, the foundation of Joyce's art. In shaping its stories, he developed that mastery of naturalistic detail and symbolic design which is the hallmark of his mature fiction." -Robert Scholes and A. Walton Litz, authors of Dubliners: Text and Criticism With an Introduction by John Kelly