Reviews

'This important edition will act as a stimulus for further comparative work: it will help to reconfigure our valuation of Elizabethan Seneca not just in terms of its legacy (important though that is) but as an innovative literary endeavour in its own right.' -- Sarah Dewar-Watson, Times Literary Supplement 5 April 2013, 27'It is appropriate and welcome that one of the first volumes in the attractive new MHRA series gives [the translations] the stage to themselves for a while, and an occasion even for those who already more or less know them to look at them afresh.' -- Gordon Braden, Translation and Literature 22, 2013, 274'Seneca is enjoying a renaissance of sorts, prompting reevaluations of both his plays and their afterlives. This intelligently conceived and carefully edited volume offers a valuable opportunity to examine the evidence firsthand ... This volume is clear, intelligent, and informed by current scholarship; it will be valuable for scholars with an interest in Seneca, Elizabethan translation, classical reception, academic drama, and/or the development of tragedy.' -- Tanya Pollard, Renaissance Quarterly 66, 2013, 1513-14'This edition will be tremendously useful not just to scholars working on classical transmission or early modern drama, but also to those looking at Elizabethan literary culture as a whole. Ker and Winston successfully demonstrate the centrality of Seneca to the Elizabethan literary landscape and open doors for a wide variety of potential areas of enquiry.' -- Kavita Mudan Finn, Sixteenth Century Journal 45, 2014, 474-75'An excellent entry-point for students to the contexts both of the Senecan originals and of the Tudor translations.' -- Andrew J. Power, Modern Language Review 110, 2015, 238-39