Table of Contents

1. Emoticons, Kaomoji, and Emoji: The Transformation of Communication in the Digital Age

Part 1: Intercultural Mediations

2. Not Everyone ����s: Or, The Question of Emoji as a ‘Universal’ Form of Expression

3. Cultural Literacy in the Empire of Emoji Signs: Who is ����?

4. Emoticons: Digital Lingua Franca or a Culture-Specific Product Leading to Misunderstandings?

Part 2: Intersectional Mediations

5. 'Impact taisetsu da!': The Use of Emoji and Kaomoji in Dansō Escort Blogs between Gender Expression and Emotional Labour

6. Emoticons in Social Media: The Case of Japanese Facebook Users

Part 3: Linguistic Mediations

7. ‘Iconographetic Communication’ in Digital Media: Emoji in WhatsApp, Twitter, Instagram, Facebook—from a Linguistic Perspective

8. A Cultural Exploration of the Use of Kaomoji, Emoji, and Kigō in Japanese Blog Post Narratives

Part 4: Pictorial Mediations

9. The Elephant in the Room of Emoji-Research: Or, Pictoriality, to What Extent?

10. Construction of Iconicity in Scenes of Kaomoji

Part 5: Material Mediations

11. Who Is Afraid of Mr. Yuk? The Display of the Basic Emotion of Disgust in an ‘Analogue Precursor’ to Contemporary Emoji

12. From Digital to Analog: Kaomoji on the Prayer Tablets of Anime Pilgrims

About the Author

Elena Giannoulis is Junior Professor for Japanese Literature at the Friedrich Schlegel Graduate School of Literary Studies at Freie Universität Berlin, Germany.

Lukas R.A. Wilde is Post-Doctoral Research Associate at the Collaborative Research Center (CRC) 923 "Threatened Order—Societies under Stress" at the University of Tuebingen, Germany.