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Execution Culture in Nineteenth Century Britain


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Table of Contents


Chapter 1, ‘[T]he broken stave at the top of the ladder of England’s civilisation’: Representing the ending of public execution in 1868.
James Gregory

PART 1: Going to See a Man Hanged:

Chapter 2, ‘A practice which wounds only the living’: Publicly Punishing the Criminal Body in Nineteenth-Century Scotland.
Rachel Bennett

Chapter 3, ‘Every Loathsome Reptile Form of Vice and Crime’. Formulations of the Nineteenth-Century London Execution Crowd: Fears, Fictions and Realities.
Matthew White

Chapter 4, ‘How Murderers Die’: The Impact of the 1868 Abolition of Public Execution on Life-writing by Executioners.
Katherine Ebury

Chapter 5, ‘Stand in the place of those executed’: Interpreting Capital Punishment in UK Prison Museums.
Rhiannon Pickin

PART 2: ‘One had better narrate the circumstances as they occurred’

Chapter 6, ‘[…] were sensation our object, it would not be difficult to cull from the Newgate Calendar’: Periodical Journalism and Distaste for Public Executions, c. 1830-1870.

Samuel Saunders

Chapter 7, George Vass: the making and un-making of a criminal monster.

Helen Rutherford and Clare Sandford-Couch

Chapter 8, The ‘Hermetically sealed’ Prison: Witnessing Executions in the North East of England 1868-1878.
Patrick Low

Chapter 9, The only consolation is that the criminal is not a Welshman: The foreign-born men hanged in Wales, 1840-1900.
Stephanie Emma Brown


About the Author

Helen Rutherford is a Solicitor and Senior Lecturer in the Law School at Northumbria University. She is also in the final stages of PhD research at Newcastle University. She has published on legal education, legal history and the English Legal System. Her research interests focus on the life and work of the Victorian Coroner for Newcastle upon Tyne and nineteenth-century crime and punishment with a North East England focus.

Clare Sandford-Couch is a Visiting Lecturer in the Law School at Newcastle University. She practiced as a solicitor and was Senior Lecturer in law at Northumbria University for a number of years. She received her PhD in Art History from the University of Edinburgh in 2014. She has published on legal history, art history and the role of the arts and humanities in legal education. Her research interests largely address interactions of law and visual culture, and late medieval Italian art history. Her current research focus includes crime histories in nineteenth century Newcastle upon Tyne.

Patrick Low is an independent researcher and freelance TV historian (regular contributor to BBC One’s Murder, Mystery and My Family). He received his PhD from the University of Sunderland in 2019; his thesis examined capital punishment in the North East of England between 1800-1878 and its attendant post-mortem punishments from 1752-1878. He created the Wellcome Trust and University of Leicester’s website Harnessing the Power of the Criminal Corpse and presents ongoing research on his blog.


'Execution Culture offers a series of intriguing case studies in the ways that an absence becomes present in a culture.'- Michael Meranze, University of California, Los Angeles

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