Table of Contents

Introduction 1 Prelude to a Phenomenology of Music 2 A Critique of Visual Metaphor in Philosophy and Music 3 Working Propositions in Sound: a Baroque Suite 4 Musical Sound, a Model for Husserlian Time-Consciousness5 Cartesian Theory and Musical Science6 Musicology in Need of New Horizons 7 A Phenomenology of Musical Esthetics: The Continuing Redefinition 8 Esthetic Re-education: the Experiencing of Musical Sound9 Implications of Phenomenology for Music Education 10 Phenomenological Theme with Dialectical Variation Postscript: The "End" of Philosophy: the Muser and Music-Maker Acknowledgments

About the Author

J. F. Smith