Table of Contents

Acknowledgments
Foreword by Dennis Geronimus
Introduction
Chapter 1 The Great Sphinx: Beyond Human Understanding
Chapter 2 Tomb of Tutankhamen: Politics, Ethnic Pride, Hornets, a Dead Canary, and a Curse
Chapter 3 The Parthenon Sculptures: Lord Elgin and How Greece Lost Its Marbles
Chapter 4 The Apollo Belvedere: The Rise and Fall of The Apollo Belvedere
Chapter 5 Nike of Samothrace: The Victory of the Staircase
Chapter 6 Birth of Venus by Botticelli: Nothing Is Forever, Not Even Neglect
Chapter 7 Mona Lisa by Leonardo da Vinci: You Never Know What a Smile Can Do
Chapter 8 Sistine Madonna by Raphael: The Most Perfect Picture in the World
Chapter 9 The Burial of Count Orgaz by El Greco: A Touch of Madness Goes a Long Way
Chapter 10 Aristotle Contemplating a Bust of Homer by Rembrandt: Fame Available for a Price
Chapter 11 Washington Crossing the Delaware by Emanuel Leutze: Or Perhaps, Washington Crossing the Rhine
Chapter 12 Luncheon on the Grass by Edouard Manet: Success through Scandal
Chapter 13 The Thinker by Auguste Rodin: Fame Has Its Consequences
Chapter 14 Starry Night by Vincent Van Gogh: Lost in a Starry Night
Chapter 15 The Scream by Edvard Munch: Scream, Indeed
Chapter 16 American Gothic by Grant Wood: All-American Gothic
Chapter 17 Migrant Mother by Dorothea Lange: The Power of the Press
Chapter 18 Guernica by Pablo Picasso: Travels with Guernica
Chapter 19 Andy Warhol, Campbell’s Soup: Mmm Mmm Good
Chapter 20 The Vietnam Veterans Memorial by Maya Lin: The Triumph of Abstraction
Index
About the Author

About the Author

John Nici is a professor of art history at Queens College in Flushing, New York.

Reviews

Art historian Nici considers some of the world’s most revered pieces of art and the 'peculiar—and often inexplicable' circumstances that contributed to their current significance. These include the 1922 discovery of the ancient Egyptian tomb of King Tutankhamun, which benefited from press coverage stimulating the public’s interest, and the steady rise in prominence of Leonardo da Vinci’s Mona Lisa over centuries, further enhanced by its 1911 theft. The statue Winged Victory sat in the Louvre 'friendless and unnoticed' before a mere change in location to the grand central staircase made it a visitor favorite. Nici outlines the controversy surrounding Manet’s Luncheon on the Grass, criticized by the stodgy French Salon, but lauded by more liberal impressionists. Van Gogh is lionized for his cult of personality and tortured history boldly on display in Starry Night, and Grant Wood’s American Gothic is noted for its 'ambiguity of form and interpretation,' evident in arguments over the artist’s sincerity. Nici also recalls Andy Warhol’s explosion into celebrity via the Campbell’s soup prints and the multiple controversies surrounding the construction of the Vietnam Veterans Memorial, designed by 21-year-old Yale undergraduate Maya Lin. Viewing the artistic material through the angle of fame is a unique approach and Nici provides ample and accessible theory, interpretation, and historical context to make this an interesting and educational read.
*Publishers Weekly*

'Why do certain works of art sustain or lose their fame?' asks Nici (professor of art history at Queens College, in Flushing, New York) in the introduction to his study of 20 iconic photographs, paintings, and sculptures. The answer makes for a fascinating look at the content and context of such works as the Great Sphinx, Botticelli's The Birth of Venus, Manet's Luncheon on the Grass, Dorothea Lange's Migrant Mother, Andy Warhol's Campbell's Soup, and the rest. For each work examined, there is a detailed description and a thorough accounting of its contemporary reception and subsequent reputation. Among the more than 60 images included are a number of color reproductions. Over and over, we read that the reputation of a particular 'masterpiece' often has less to do with its artistic quality and more to do with the success of its publicity and promotion. Any one of these 20 chapters would make a lively and engaging lecture in art history; all of them should be required reading for anyone who has ever visited an art museum.
*Booklist*

True adventures in art history—who knew that wanton destruction, theft, forgery and the contempt of critics were prime ingredients for making works of art famous? John Nici’s book is a terrific read, entertaining and erudite.
*Michael Findlay, author of The Value of Art*

This is not just another art history book! Well-researched and accessible to a broad readership, Famous Works of Art—And How They Got That Way examines 4500 years of fine art, sculpture and photography. Far from a dry read, Nici’s twenty case studies vividly capture the post-creation life of each object by exploring the triangulation among the works, their meanings, and their cultural reception. The text further problematizes the notion of the masterpiece amid genius, fame, reputation, and value. After reading it, you may (even) think again before taking a selfie in front of a masterpiece and posting it to social media!
*Juilee Decker, Associate Professor, Museum Studies, Rochester Institute of Technology*

Well crafted and highly readable. John Nici gives an insightful overview of many factors impacting the fame of works of art throughout the ages. The “masterpieces” range from a long span of history and reflect changing attitudes over the broad spectrum of time. Famous Works of Art will cause you to think deeply about the many paths to fame. This book provides an intriguing exploration of the fickle nature of perseverance vs. obscurity wrought by the passage of time and taste.
*Dr. Carey Rote, Professor of Art History, Texas A & M University-Corpus Christi*

John Nici’s fun and fascinating text delves into the heart of how and why certain objects, often ones that were criticized in their own eras, become celebrated. Ultimately, Nici explores the nature of and causes for the popular renown of painting, sculpture, and photography. Nici’s delectable prose will be enjoyed by the specialist, the amateur, those who are new to art history, and anyone who has ever asked themselves or their professor, "Why is that famous?"
*Caterina Y. Pierre, Professor of Art History, City University of New York at Kingsborough*