Chuck Klosterman is the bestselling author of many books of nonfiction (including Sex, Drugs, and Cocoa Puffs, I Wear the Black Hat, Fargo Rock City and Chuck Klosterman X) and two novels (Downtown Owl and The Visible Man). He has written for The New York Times, The Washington Post, GQ, Esquire, Spin, The Guardian, The Believer, Billboard, The A.V. Club, and ESPN. Klosterman served as the Ethicist for The New York Times Magazine for three years, and was an original founder of the website Grantland with Bill Simmons
Klosterman's highly touted debut has as much to do with Fargo, N.D., as the Coen brothers' slice of Americabre, Fargo. That is, nothing at all, really. Misleadingly titled to cash in on Fargo's cinematic mystique, Klosterman's memoir about growing up a sexually repressed metalhead, with a humiliating (mom-dictated) Richie Cunningham haircut is actually set in Wyndmere, N.D. Klosterman starts up with a bang ("You know, I've never had long hair"), shifts gears often (from memoir to music criticism, somewhat jarringly at times), and rarely idles. Ultimately, though, Klosterman, ironic throughout the book, does not write with enough sincerity to prove his thesis "that all that poofy, sexist, shallow glam rock was important." Granted, it's a daunting task to write a hymn of praise to the genre that spawned David Lee Roth so the author wisely stretches his pop-culture references like taffy. In the final chapter Klosterman, now an arts critic for Ohio's Akron Beacon Journal, quotes a friend's definition of a "guilty pleasure" "something I pretend to like ironically, but in truth is something I really just like" to explain how he really feels about glam metal. His closing summation of what metal means to isolated kids in the heartland will strike a power chord for many readers. (May) Forecast: Klosterman has tapped a gold mine. Fans of 1980s M”tley Cre, Poison and Ratt are pushing 30 and 40 and seeking a nostalgia trip. Also, Gear magazine will run an excerpt of the book along with a conversation between Klosterman and Aerosmith singer Steven Tyler. Copyright 2001 Cahners Business Information.
Let it be known that Fargo Rock City does not detail a burgeoning music scene in North Dakota's largest city (population: 70,000). Nor is it a yarn about a heavy metal band gigging across the frozen tundra of the Red River Valley. Rather, it's one Middle American's memoir of growing up with and loving 1980s heavy metal (e.g., Ratt, Poison, and Guns 'n' Roses). In other words, this book is for the myriad metal-heads from Fargo to Phoenix who inked "M”tley Cre" on their notebooks during high school study halls. The music, film, and culture critic at Ohio's Akron Beacon Journal, Klosterman uses refreshingly candid language: reading his debut is like overhearing a drunken discussion between two music fans. He nicely blends metal music theory with compelling tales of self-realization. Perhaps more than a memoir, this is a seriocomedic defense of a culture that was only cool to those who participated in it. Recommended for all public libraries, especially those in the heartland. [Previewed in Prepub Alert, LJ 1/01.] Robert Morast, "Argus Leader Daily," Sioux Falls, SD Copyright 2001 Cahners Business Information.
"Kirkus Reviews" This is what Lester Bangs would have written had
he been a farmboy raised on a diet of Skid Row and KISS.
Unfailingly smart and demonically opinionated...
Marc Weingarten author of "Station to Station: The History of Rock and Roll on Television" Klosterman's hilarious heavy metal odyssey will flick the Bic of every headbanger who's ever found salvation in a great Motley Crue riff. His sly, swaggering prose struts across the page like Axl Rose in his prime.
Ronin Ro author of "Have Gun Will Travel: The Spectacular Rise and Violent Fall of Death Row Records" With a style as hilarious as it is thought-provoking, Chuck Klosterman delivers an authoritative, impressive debut.