Acknowledgments
Chronology
A Note on Transcription and Translation
Introduction
Pause—Anne-Marie and Her Father
Positioning
Part I. Memories Felt
1. Articulated Feeling
Pause—Daniel: Fear on the Road
2. Affects and Intensities
Pause—Nicole: Inside Drancy
Part II. Memories Located
Pause—Nancette: Happy Places, Happy Times
3. The Weirdness of Memory Time
4. Places in Traumatic Memory
5. Spaces in Traumatic Memory
Pause—Hélène: Persecution and Space
Part III. Memories Told
Pause—Filming Marie-Madeleine
6. Regimes of Memory, Regimes of Feeling
7. Communities of Memory, Communities of Feeling
Pause—Édith and Jean Compete
Part IV. Memories Lived
8. Materialities of the Everyday
Pause—Henri Plays at War
9. Affective Others
Pause—Danièle: The Strain of Uncertainty
Pause—Robert: The Contingency of Moral Meaning
10. Contingency and Rupture
Conclusion: A Palette of Haecceities
Appendix: The Interviewees
Notes
Bibliography
Lindsey Dodd is an independent historian and oral historian. Until 2023 she was reader in modern European history at the University of Huddersfield. She is the author of French Children Under the Allied Bombs, 1940–1945: An Oral History (2016) and coeditor of Vichy France and Everyday Life: Confronting the Challenges of Wartime (2018). She is also part of the editorial team for the journal Oral History.
A sensitive and imaginative exploration of the connections among
war, childhood, and memory that demonstrates the meaning of
emotions and feelings as historical forces.
*Alessandro Portelli, author of The Text and the Voice: Writing,
Speaking, Democracy, and American Literature*
Feeling Memory deftly weaves together 'memory stories' and the
latest scholarship to provide an entirely fresh approach to World
War II in France. The result is a richly textured, nuanced study of
the emotions of history that offers us new ways to think about
children’s experiences and the places and events that shape our
memory of the past.
*Shannon L. Fogg, author of Stealing Home: Looting, Restitution,
and Reconstructing Jewish Lives in France, 1942-1947*
Feeling Memory theorizes a history of a present where events
matter, memories stick and accrete, time ruptures, experiences
generate, and little worlds proliferate around sounds, rhythms, and
things. It experiments, listening for the intensities and unknown
potential of an affective history from the inside out where the
things of the world speak differently to one another.
*Kathleen C. Stewart, author of Ordinary Affects*
In a compelling mixture of theory, reflections on method, and vivid
vignettes, Feeling Memory explores the emotions that animate and
bind memory in oral history. Its insights extend well beyond the
interview, however: Dodd shows what a history of emotions can
achieve once affect is seen not just in terms of social
prescriptions but as the glue that binds memory and relationships
past and present.
*Michael Roper, author of Afterlives of War: A Descendants'
History*
Feeling Memory provides a nuanced and sophisticated explication of
how the emotional content of memory shapes the remembered past into
the present. Dodd contends that all historians—not just oral
historians—need to take affective forms of knowledge more seriously
and to search for the traces of feelings in their sources and
analyses. The memory stories that are at the heart of the book are
truly engaging and often moving. They make the book come alive.
*Ellen R. Boucher, author of Empire's Children: Child
Emigration, Welfare, and the Decline of the British World,
1869-1967*
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