Table of Contents

Introduction: Bio-bibliographical summary, development of thought 1. Images of the catastrophe 2. History and the montage aesthetic 3. The past in the present, survivances 4. Revealing a ‘people’: a political project 5. Didi-Huberman on screen Conclusion Bibliography

Promotional Information

Focuses on Didi-Huberman's work about a political philosophy of image practice, spanning production, reception, and the organisation of reception (for example, through curation).

About the Author

Alison Smith is Lecturer of Film Studies in the School of Histories, Languages and Cultures at the University of Liverpool, UK. She has a special interest in French cinema and the film-related thought of Georges Didi-Huberman.