Table of Contents
Chapter 1: Introduction: Global Cinemas in a Time of Networks
Elena Gorfinkel, King’s College London (U.K.)
Part 1: Cartographies, Geopolitics, Aesthetics
Chapter 2: Beyond and Beneath the Map of World Cinema
Dudley Andrew, Yale University
Chapter 3: Frame
Adrian Martin, Monash University (Australia)
Chapter 4: Abstraction and the Geopolitical: Lessons from
Antonioni’s Trip to China
John David Rhodes, University of Cambridge
Chapter 5: The City of Bits and Urban Rule: Media Archaeology,
Urban Space, and Contemporary Chinese Documentary
James Tweedie, University of Washington
Part 2: Global Ideality, History, Representation
Chapter 6: Toward an Archeology of Global Rhythms: Melodie der Welt
(Melody of the World, 1929) and its Reception in France
Laurent Guido, University of Lille (France)
Chapter 7: When Cinema was Humanism
Karl Schoonover, University of Warwick
Chapter 8: African Cinema: Digital Media and Expanding Frames of
Representation
N. Frank Ukadike, Tulane University, New Orleans
Chapter 9: Changing Circumstances: Global Flows of Lesbian
Cinema
Patricia White, Swarthmore College
Part 3: Kinships, Identifications, Genres
Chapter 10: Hermano and La hora cero: Violence and Transgressive
Subjectivities in Venezuelan Youth Cinema
Luisela Alvaray, DePaul University
Chapter 11: Between Love and the Moral Law: The Fatal Mother in
Park Chan-wook’s Sympathy for Lady Vengeance
Peter Y. Paik, Yonsei University (Korea)
Chapter 12: The Queer Mexican Cinema of JuliÁn HernÁndez
Gilberto M. Blasini, University of Wisconsin–Milwaukee
Chapter 13: The Gangster Film as World Cinema
Jian Xu, University of Wisconsin–Milwaukee
Chapter 14: Epilogue: 24 Frames: Regarding the Past and Future of
Global Cinema
Tami Williams, University of Wisconsin–Milwaukee
ELENA GORFINKEL is senior lecturer in film studies at King’s
College London in the United Kingdom. She is the author of Lewd
Looks: American Sexploitation Cinema in the 1960s.
TAMI M. WILLIAMS is an associate professor of English and film
studies at the University of Wisconsin-Milwaukee. She is the author
of Germaine Dulac: A Cinema of Sensations.
“Assembling an impressive group of internationally recognized scholars, this ambitious volume offers a sustained engagement with cultural infrastructures like film festivals, visual motifs of the global, with a capaciousness that stretches global cinema across a century.” - Nitin Govil (author of Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay)
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