Table of Contents

Introduction
Part I: Dancing, the Dance Hall Industry, and its Audience
1: The Birth of the Palais: Dancing and Dance Halls, 1918-1939
2: Wartime Boom: Dancing and the Dance Hall Industry at War, 1939-1945
3: Rise and Fall: The Golden Age of the Dance Hall, 1945-1960
4: The Development of Dancing in Britain 1918-1960
Part II: The Dance Hall and British Society, 1918-1960
5: Youth and the dance hall, 1918-1960
6: Women, Dancing and Dance Halls, 1918-1960
7: Romance and Intimacy in the Dance Hall
Part III: Conflicts and Control: Moral Panic and the Dance Hall 1918-1960
8: Morality, Gender, and the Dance Hall 1918-60
9: Race and the Dance Hall
10: The 'Youth Problem' and the Dance Hall 1918-1960
Conclusion

About the Author

James Nott is a social and cultural historian specialising in twentieth-century British culture and society. He is author of Music for the People: Popular Music and Dance in Interwar Britain (2002) and co-editor of Classes, Politics, and Cultures: Essays in British History in Honour of Ross McKibbin (2011). He is currently working on a history of masculinity in twentieth century Britain and the links between race and dance.

Reviews

The richness and depth of the study is exemplified by its geographical scope....This monumental book on an important aspect of popular culture in the twentieth century provides a template for future research on dance halls and associated forms of leisure. The depth of research, sources, and critical reflection already marks it out as a classic. It should be widely read and discussed by business historians, labor historians, and scholars who are seeking to understand the social and cultural life of the British people in the twentieth century.
*Keith Gildart, Journal of Modern History*

In its range of topics, density of assembled evidence and consistent, subtlety of argument, this book is set to become the definitive account of dance halls in 20th century Britain.
*Jeffrey Richards, History Today*

Nott puts the well-worn concept of gender, class and age through their paces. He shows that austerity and economic insecurity boosted the desire to dance while affluence gradually slowed it down Nott has important things to say about a period in British history where dancing became much more than a craze.
*Joanna Bourke, The Times Literary Supplement*

Meticulously researched.
*David Fowler, Times Higher Education*

a superb analysis of gender and race relations, as well as a fascinating look at an industry that had once rivalled cinema as an ultimate pastime.
*Tal Zalmanovich, New Books Network*

Nott has produced what I think will prove to be a definitive account of dancing and dance halls in the twentieth century. Going to the Palais, is a very impressive work which offers an academic consideration of the halls from multiple perspectives, including corporate ownership and patronage with particular reference to race, class and gender, and the moral concerns their patrons provoked ... Going to the Palais was one of the most notable works of social history to appear in 2015. It was a pleasure to read.
*John Griffiths, Social History*

utilizes a rich gathering of material to paint a detailed picture of dancing across the period from 1918 to 1960. Nott's book invites a readership beyond the field of leisure history, making a valuable contribution to histories of gender and class in the twentieth century and raising significant questions about leisure as a vehicle for social and cultural change.
*Sian Edwards, 20th Century British History*

Nott's work is impressively researched and refreshingly inclusive of the whole national context ... the book offers a detailed picture painted on a broad canvas and will appeal to both the scholar and the general reader. It makes an important contribution by firmly and unapologetically claiming popular dance as a vital activity in twentieth century cultural history.
*Alexandra Carter, Dance Research*

a particularly welcome contribution to modern British studies and one that will undoubtedly be widely read beyond the field of history ... a pleasure to read.
*Claire Langhamer, Reviews in History*

This is a major work ... The research, drawing on periodicals, Mass Observation and specially conducted interviews, is impeccable. More importantly, the analysis is persuasive, identifying the dance hall as a crucial space in modern popular culture. From this book, it becomes clear that class was not only the only fault line in British society. The nation was divided into those who could dance and those who couldn't.
*Rohan McWilliam, Cultural and Social History*

a landmark study ... Going to the Palais stands as an exemplary work of social and cultural history, an extensively informed and illuminating recovery of a widely embraced but under-studied leisure pursuit that reveals much of popular values and practice and cultural politics at large.
*Peter Bailey, American Historical Review*