Table of Contents

Volume I: Scrivani-Tidd
Preface and Acknowledgements
Fifties Rock and Roll Timeline
1 Fifties Prelude: Just Give Me Some of That Rock and Roll Music
2 Origins of Rock and Roll: The Blues Had a Baby
3 Rock and Roll Is Born: Let the Good Times Roll
4 Rhythm and Blues-Based Rock and Roll: Good Golly, Miss Molly
5 Rockabilly: Goodness, Gracious, Great Balls of Fire
6 Elvis Presley: All Shook Up
7 Doo-Wop: Oh What a Nite
8 Rock and Roll Music Business: Money Honey
9 Fifties Postlude: Rock and Roll Is Here to Stay
Fifties Rock and Roll A-Z: A Reference Guide
Top-Selling Fifties Records
Most Significant Fifties Records
Resource Guide
Index
Volume II: Markowitz
Acknowledgements
Introduction
Chronology
1 Early Idols
2 The Sound of Young America
3 Songbirds, Svengalis and Soloists
4 From Liverpool to London and Beyond: The Beatles and the Rolling Stones
5 The Other British Invaders
6 The Revolution Will Be Televised - and Publicized
7 Fun, Fun, Fun: The California Sound
8 The Times They Are AChangin
9 One- (or Two-) Hit Wonders /Lasting Legacies
10 - A-Z
Bibliography
Resource Guide
Volume III: Smith
Preface and Acknowledgements
Introduction
Timeline
1 The Psychedelic Experience
2 Hard Rock Lightning, Heavy Metal Thunder
3 Glamour Kings: The Birth Of Glitter Rock
4 The South Rises Again
5 Folk-Rock And Its Predecessors
6 Rock Goes Progressive
7 The Festival Is Born
8 Rock And The Media
9 A-Z Listings
Appendices
Resource Guide
Volume IV: Smith
Series Foreword
Preface
Introduction
Timeline
1 Funk, Jazz-Rock, and Fusion: The Rhythm Revolution
2 Progressive Rock in the 1970s: But is it Art?
3 Corporate and Mainstream Sounds: Rock is Dead, Long Live Rock!
4 The Softer Side of Rock
5 Singer-Songwriters: Rock Grows Up
6 Punk Rock: The Art of Noise
7 A New Wave of Rock
8 Rock on the Big Screen
9 A-Z Listings
Top-Ranking Albums
Influential Albums
Bibliography
Resource Guide
Volume V: Janosik
Preface
Time Line
1 MTV: Defining a New Era in Rock and Roll
2 Early Video Stars: Michael Jackson, Madonna and Prince
3 Working Class Heroes
4 Punk, Underground, and Alternative Artists
5 A New Phase for New Wave Artists
6 Heavy, Thrash and Power Metal Bands
7 Glam Metal Hair Bands
8 The Changing Face of Teen Idols
9 Women Rockers and MTV
10 Concerts for Humanitarian Causes
11 Rap Meets Rock
12 Rock and Film in the 80s
A-Z Listings
Best-Selling Singles, 1981-1990
Best Selling Albums, 1981-1990*
25 Most Influential Albums of the 1980s
Resource Guide
Volume VI: Gulla
Preface and Acknowledgements
Introduction
Timeline
1 The Grunge Era
2 Alternative Country
3 The Rebirth of Punk
4 Major Alt. Rockers
5 The Jam Band Scene
6 Commercial Rock
7 Festivals
8 Garage Rock Revisited
9 Riot Grrls
10 Indie Rock
11 Industrial Rock
12 Britpop
13 The Metal Scene
14 Music Technology
15 A-Z Listings
Appendices
Twenty-Five Bestselling Albums
Twenty-Five influential albums of the period
Resource Guide

Promotional Information

A landmark six-volume set that brings unprecedented depth to the understanding of rock music and the many ways it has shaped American culture.

About the Author

Lisa Scrivani-Tidd is a professor of music in the State University of New York (SUNY) at Jefferson and is also the university organist at St. Lawrence University. Dr. Scrivani-Tidd has taught for the Education Department at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, and has developed a music curriculum at SUNY Jefferson where she currently teaches courses in music theory, music appreciation, performance, and music history, including History of American Popular Music and History of Rock & Roll.

Rhonda Markowitz is a rock journalist, freelance author, editor, and producer, has written for VH-1, Spin Magazine, and People.com.

Chris Smith is a Vancouver-based writer and photographer who has served as music editor for Performing Songwriter, editor-in-chief for Inside New York, and associate editor for University of Chicago Magazine. His work has appeared in dozens of publications, including Rolling Stone, Billboard, Time Out New York, the Sydney Morning Herald, Texas Music, the Village Voice, and the Journal of Visual Anthropology. In addition to music and film journalism, Chris has worked as a combat correspondent, a festival producer, a wildlife photographer, and a musician, and is the author of Volume 3 of this series.

John Borgmeyer attended the University of Missouri-Columbia and currently works as a staff writer for the C-Ville Weekly Newspaper in Charlottsville, Virginia.

Richard Skanse is the editor of Texas Music magazine and a freelance writer whose features and/or reviews have appeared in Rolling Stone, Tracks, Harp, Performing Songwriter, Sing Out, The Journal of Country Music, Austin American-Statesman, CMA Close Up and New York Magazine, as well as assorted Web sites such as RollingStone.com and LoneStarMusic.com. He has also contributed entries to The Rolling Stone Encyclopedia of Rock & Roll and The New Rolling Stone Album Guide. Before returning to his native Texas in the spring of 2001, he spent four years in New York City, where he worked as an editor for RollingStone.com.

Rob Patterson has written for classic rock magazines like Creem, Circus, Crawdaddy, Spin, and Musician. He has been a contributor to The Rolling Stone Record Guide, and his music writing has appeared in hundreds of daily newspapers syndicated by United Features Syndicate and Newspaper Enterprises Association. He currently writes about music for Harp magazine, Texas Music, Country Music People in the U.K. and The Progressive Populist. Rob Patterson conceived of and co-produced the 1995 album Austin Country Nights. He sang on the Terry Allen album Human Remains alongside David Byrne and Lucinda Williams, has done publicity for Ozzy Osbourne, and worked as a road manager for Don McLean.

MaryAnn Janosik was recently named Dean of Ohio University's Lancaster campus. She was Director of Education at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, and has previously been an associate professor of history. and dean of a division of Oakton Community Collge. Dr. Janosik continues to teach courses and design professional development workshops in the areas of rock music, American film and popular culture.

Bob Gulla is a professional writer and co-author of The Greenwood Encyclopedia of Rock History (2005).

Reviews

Two academics who worked for the Rock and Roll Hall of Fame and six music journalists produced this 1,700-page set. Each volume follows a common presentation: time line; chapters enhanced with black-and-white photographs and sidebars; an A-Z of Rock with brief descriptions of major artists, recordings, and events; appendixes listing significant recordings; reference guide; and index….[e]ach Greenwood volume serves as a useful introduction to its respective era. Recommended. Lower-/upper-division undergraduates; general readers.
*Choice*

[C]overs the gamut of rock'n'roll music from its inception in the early 1950s to the postgrunge of today.
*Library Journal*

[V]alue for money (on a scale of one to five, five being good, a five). Very much a book for the school, college, and university library where rock music is both studied and simply enjoyed, and good for public library reference… Durable, easy-to-handle and carry about, a must for any specialist researcher, for a lecturer preparing courses in the field, and for anyone priding themselves on knowledge of rock history.
*Reference Reviews*

This six-volume set is an all-inclusive history of rock from its early days in the 1950's up through the decades to the grunge and post-grunge years, 1991-2005. It brings an understanding of rock music, and treats it as not just entertainment but as part of culture--how rock has shaped and been shaped by culture. The chapters in this set provide B&W photos, fact boxes, and narratives about musicians, writers, producers, trends, concerts, and much more….This set would be valuable for those doing research and appealing to those who are interested in reading about the history or rock. Recommended.
*Library Media Connection*

[E]ngagingly written, and the overall design of each volume is well thought out and easy to use. The photographs of the various performers and performing groups add a great touch. The timeline that opens each volume is very helpful in placing a specific group or movement in its wider historical conext. The glossary at the end of each volume provides brief descriptions of personalities, record labels, and important musical titles. The reference guide or bibliography in each volume is extensive. In addition, each volume's index is thorough and includes cross references….Because of its thoroughness and scholarly approach, The Greenwood Encyclopedia of Rock History is an indispensable set that should be placed in the collections of all public libraries and in academic libraries serving music programs.
*Reference & User Services Quarterly*

Each book's preface, introduction, and time line explain the scope of the text and set the stage for the thematic chapters that follow. The encyclopedic A-Z of Rock at the end of each volume contains brief biographical entries, information on record companies, and definitions of musical styles. Appendixes of the top-selling and most significant records of the period are included. Each title concludes with an extensive Reference Guide that lists related books, articles, Web sites, organizations, museums, events, films, and recordings, followed by a detailed index. Scattered throughout the texts are black-and-white portraits and shaded text boxes with information on influential musicians, musical styles, and more. In addition to being excellent reference tools, these volumes are so readable that libraries will want to consider circulating them. An outstanding set.
*School Library Journal*

By giving rock music the spotlight, the authors ultimately attain their goal of presenting an insider's view of the rock genre and its many forms. The set is a unique reference source and downright addictive in terms of browsing and should appeal to researchers, music historians, students, and, finally, the kids inside many of us who just like everything about rock music. Reading it reminds us that those kids are still alright.
*Booklist/Reference Books Bulletin*

This new survey of music history traces the development of rock music from its roots in blues, gospel, jazz, country and western swing through the video age and the post-grunge scene. The approach is chronological with separately authored volumes, each spanning seven to 15 years….Each period survey begins with a timeline of the decade and concludes with a guide to additional resources including books, films and Web sites. Appendices also include lists of best-selling records and an author-selected list of influential recordings. Topics cover not just the development of musical styles and genres, but also the music business; the influence of television, video and film; political activism and the humanitarian efforts of rock musicians….[t]he substantial narratives provide an excellent overview of rock history and will serve a wide range of audiences.
*Lawrence Looks at Books*

The Greenwood Encyclopedia of Rock History explores the ways rock music both reflected and shaped culture since its beginnings in the 1950s. Each of the six volumes provides narrative chapters on the important performers, trends, and genres for each vibrant period in rock music. Also provided in each volume is a timeline; a discography of seminal and bestselling recordings; a dictionary of performers, recordings, events and genres; a resource guide; and an index to serve an additional research resources.
*Library Media Connection*