List of Illustrations
Series Preface
Introduction: Sonia Massai (King’s College London) and Lucy Munro
(King’s College London)
Chapter 1: Hamlet’s Touch of Picture: Kaara L. Peterson (Miami
University, USA)
Chapter 2: Remembering Ophelia: Theatrical Properties and the
Performance of Memory in Shakespeare’s Hamlet: Kathryn M. Moncrief
(Worcester Polytechnic Institute, USA)
Chapter 3: “Tragedians of the City”: Hamlet and Urban Exile: Kelly
Stage (University of Nebraska, Lincoln, USA)
Chapter 4: Code Black: Whiteness and Unmanliness in Hamlet: David
Sterling Brown (SUNY Binghamton, USA)
Chapter 5: Character Fictions in Hamlet: Jay Farness (Northern
Arizona University, USA)
Chapter 6: Q1 Hamlet and the Sequence of Creation of the Texts:
Charles Adams Kelly (Howland Research) and Dayna Leigh Plehn
(Howland Research, USA)
Chapter 7: The Hamlet First Quarto: Traces of Performance?: William
Nigel Dodd (ADD, USA)
Chapter 8: “You must wear your rue with a difference”: Gertrude,
Ghazala, and the Sati in Haider’: Pompa Banerjee (University of
Colorado, Denver, USA)
Chapter 9: ‘Most Eloquent Music’ (and Multiple Texts): The 2017
Glyndebourne Opera of Hamlet : Ann Thompson (King’s College London,
UK) and Neil Taylor (Roehampton University, UK)
Notes
References
Index
This collection brings together emerging and established scholars to explore fresh approaches to Shakespeare’s best-known play.
Sonia Massai is Professor of Shakespeare Studies in the
English Department at King's College London, UK. She is the author
of Shakespeare and the Rise of the Editor (2007), and the editor of
collection of essays, including Ivo van Hove: from Shakespeare to
David Bowie (2018), and of plays, including John Ford’s ’Tis Pity
She’s a Whore (2011).
Lucy Munro is Professor of Shakespeare and Early Modern
Literature at King’s College London, UK. She is the author of
Children of the Queen’s Revels: A Jacobean Theatre Repertory (2005)
and Archaic Style in English Literature, 1590-1674 (2013), and the
editor of plays including Fletcher’s The Tamer Tamed and Dekker,
Ford and Rowley’s The Witch of Edmonton.
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