Preface
Introduction: The Significance of Planetary Harmony
PART 1
RECOVERING LOST KNOWLEDGE OF THE WORLD SOUL
1 Climbing the Harmonic Mountain
2 Heroic Gods of the Tritone
3 YHWH Rejects the Gods
4 Plato’s Dilemma
PART 2
A COSMICALLY CREATIVE HARMONY
5 The Quest for Apollo’s Lyre
6 Life on the Mountain
PART 3
THE WAR IN HEAVEN
7 Gilgamesh Kills the Stone Men
8 Quetzalcoatl’s Brave New World
9 YHWH’s Matrix of Creation
10 The Abrahamic Incarnation Postscript: Intelligent Star
Systems
APPENDIX 1
Astronomical Periods and Their Matrix Equivalents
APPENDIX 2
Ancient Use of Tone Circles
Reunification of Tuning by Number with Tuning by Ear through Reason
and Visual Symmetry
Notes
Bibliography
Index
Richard Heath is a development engineer with degrees in systems science and computer-aided design. His interest in megalithic astronomy and metrology has resulted in 4 books, including Sacred Number and the Origins of Civilization. He lives near Cardigan, Wales.
“We have long known, thanks to Ernest McClain, that the ancients
were obsessed with harmonic numbers and that the Bible encodes
these from beginning to end. Now new evidence appears, as these
numbers correlate with the planetary periods, and their discovery
is pushed far back into the prehistoric era. Richard Heath’s work,
based not on speculation but on objective data, challenges all
accepted notions of cultural evolution and religious origins.”
*JOSCELYN GODWIN, author of Harmonies of Heaven and Earth*
“In this book the author reveals himself as the natural successor
to Ernest McClain. As McClain before him, Heath has realized the
extent to which the natural harmony of music binds into one the
‘within’ and ‘without’ of man’s world. He introduces us first to
the observable recurrence of numbers underlying ancient
astronomical sightings and then skilfully reveals the connection
with the harmonic numbers of the sexagesimal system discovered by
the Sumerians and Babylonians. Underpinning ideas with superb
graphics and skilful numerical tables, he shows the ancient
scribes, priests and ‘gentlemen of leisure’ in the Aristotelian
sense, to be most subtle--in many cases far more so than we who
work so hard to understand them. The progression by which he
reveals his thesis is impressive.”
*Pete Dello, singer-songwriter, composer, and musicologist*
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