Gr 3-6-In this top-notch introduction to self-portraiture, Raczka delves more deeply into each selection than in his More Than Meets the Eye (Millbrook, 2003). A single opening page prepares the way, whetting readers' appetites by having them consider how they would portray themselves. Full spreads follow, in which one page contains a labeled image and the other presents the related narrative on a faux parchment background. Raczka has chosen carefully; within his 14 examples, he manages to include three women, a range of cultures, and a span of periods and ages (D?rer drew a version of himself at age 13). The moods vary as do the media, although, unfortunately, the media are not listed anywhere. The reproductions are clear, and the writing offers tidbits about the artists' lives as well as interpretation about the works. Viewers reading and looking closely will learn that Goya affixed candles to his hat so he could work at night, that Chagall painted himself with seven fingers for a reason, and that Rockwell's "Triple Self Portrait" includes many more than three. Peggy Roalf's fine Looking at Paintings: Self-Portraits (Hyperion, 1993) covers several of the same artists (although most of the portraits differ) and many additional names with a similar organization. A class would benefit from exposure to both; browsers may wish to begin with the shorter length and conversational style of this title.-Wendy Lukehart, Washington DC Public Library Copyright 2006 Reed Business Information.
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