Award-winning novelist RICHARD MASON was born in South
Africa and raised in England. He wrote his first novel The Drowning
People the year before he went to Oxford. With the proceeds from
the book’s success, he set up the Kay Mason Foundation, which helps
disadvantaged children attend the best schools in Cape Town. In
2010 he broadened the KMF’s scope by founding an eco-project in the
country’s Eastern Cape. The Lighted Rooms and History of a Pleasure
Seeker are the first in a constellation of related novels. The next
in the series will follow Piet Barol to South Africa’s Wild Coast.
Mason lives between New York, Cape Town and Glasgow, Scotland.
www.richard-mason.org
“Terrific. . . . The best new work of fiction to cross my desk in
many moons.” —Jonathan Yardley, The Washington Post
“Mason’s novel is a gorgeous confection. . . . Piet is the
rare character—the rare being—whose unfailing charm and luck only
make us cheer him on more.” —The New York Times
“Just try to resist. . . . A Continental Downton Abbey
plus sex, with a dash of Dangerous Liaisons tossed in.” —Seattle
Times
“This book about pleasure is a provocative joy.” —O, The Oprah
Magazine
“Think Balzac but lighter and sexier—an exquisitely laced corset of
a novel with a sleek, modern zipper down the side.” —Marie
Claire
“Superb. . . . [Mason’s] gorgeous, precise descriptions . . .
mirror Amsterdam’s singular combination of material opulence and
Calvinist severity. . . . After this auspicious introduction, many
readers will be eager for the next volume.” —The Wall Street
Journal
“[An] up-close mix of luxury, labor and longing—plus a country
house's-worth of burbling romance.” —Los Angeles Times
“One of the best three books of the year.” —The Independent
(London)
“A sharply written story of love, money and erotic intrigue pulsing
behind the staid canal fronts of nineteenth century Amsterdam.
Mason’s hero is amoral but irresistible. I was gripped till the
very last page. Thank God there’s a sequel.” —Daisy Goodwin, author
of The American Heiress
“If Charles Dickens and Jane Austen had a love child who grew up
reading nothing but Edith Wharton and Penthouse Forum—well, that
person might be almost as wry, sexy, and knowing a writer as
Richard Mason.” —The Boston Globe
“A picaresque novel in the 18th-century tradition of John Cleland’s
Fanny Hill: Memoirs of a Woman of Pleasure and Henry Fielding’s The
History of Tom Jones. . . . Piet is a charmer.” —The Washington
Times
“Piet Barol is a pure pulse of young manhood; not an everyman, but
perhaps the fantasy everyman that every man would like to be.” —The
Times Literary Supplement (London)
“[A] Belle Époque valentine.” —Vogue
“An enthralling, perfectly placed romp that breathes new life into
the picaresque genre. . . . Piet Barol . . . looks set to become
the star of a whole new series of books.” —The Observer
(London)
“Exquisite. . . . History of a Pleasure Seeker is a showcase for
[Mason’s] nimble writing, but also extends his storytelling
prowess.” —Pittsburgh Tribune-Review
“[An] artful evocation of the European Belle Époque.” —The New
Yorker
“Mason’s new novel—elegant, upholstered and, for all the sex,
well-behaved—is part of a trend . . . for historical novels that
seem not only set but written in the past—modern tracings,
skillfully done, of old tropes, old forms.” —The Sunday Times
(London)
“An elegantly written, sexy novel.” —The Daily Beast
“Edith Wharton would be impressed. . . . Lovely and rich.”
—Entertainment Weekly
“Mason presides over History of a Pleasure Seeker like a
benign god, rescuing his confused but well-meaning characters when
they seem doomed and affectionately watching from a distance as
they scramble to make satisfying lives.” —The Columbus Dispatch
“A masterpiece. Like Henry James on Viagra. Not only gripping as
hell, but brilliantly arranges that the imagined world of Maarten
and Jacobina’s household sits entirely within Amsterdam of the
Belle Époque. I thought Piet was wonderfully drawn—roguish and yet
wholly sympathetic.” —Alex Preston, author of This Bleeding
City
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