Geraldine Brooks is the author of the Pulitzer Prize-winning
novel March and the international bestsellers The Secret
Chord, Caleb's Crossing, People of the Book, and
Year of Wonders. She has also written the acclaimed
nonfiction works Nine Parts of Desire and Foreign
Correspondence. Born and raised in Australia, Brooks lives in
Massachusetts.
Praise for Horse:
"Brooks' chronological and cross-disciplinary leaps are thrilling .
. . [Horse] is really a book about the power and pain of
words . . . Lexington is ennobled by art and science, and roars
back from obscurity to achieve the high status of metaphor."
-The New York Times Book Review
"[A] sweeping tale . . . fluid, masterful storytelling . . .
[Brooks] writes about our present in such a way that the tangled
roots of history, just beneath the story, are both subtle and
undeniable . . . Horse is a reminder of the simple, primal
power an author can summon by creating characters readers care
about and telling a story about them-the same power that so
terrifies the people so desperately trying to get Toni Morrison
banned from their children's reading lists."
-Maggie Shipstead, The Washington Post
"In her thrilling new novel Horse, Geraldine Brooks moves
back and forth between the 19th century and the near present with
the same practiced ease she displayed in her 2008 epic People of
the Book . . . Brooks [has an] almost clairvoyant ability to
conjure up the textures of the past and of each character's inner
life . . . Her felicitous, economical style and flawless pacing
carries us briskly yet unhurriedly along. And the novel's
alternating narratives, by suspending time, also intensify
suspense."
-Wall Street Journal
"[A] deft novel . . . create[s] a picture of the artistic,
athletic, and scientific passions that horses can inspire in
humans."
-The New Yorker
"Horse isn't just an animal story-it's a moving narrative
about race and art."
-TIME
"[Horse is] set in contemporary times as well as the
antebellum era and during the Civil War, but every story line is so
pertinent to the issues of the day."
-Beth Macy, bestselling author of Raising Lazarus, in The
New York Times
"A thrilling story about humanity in all its ugliness and beauty .
. . while the historic detail in the book is impressive, it's the
fictions filling in the blanks where Brooks' genius truly shines .
. . The care with which Brooks crafts each character's voice is a
plea to look past the categorical labels and legends with which we
describe each other, to truly see the individual. Paired with a
compelling plot, the evocative voices create a story so powerful,
reading it feels like watching a neck-and-neck horse race,
galloping to its conclusion-you just can't look away."
-Oprah Daily
"A confident novel of racing and race . . . with tender precision,
Horse shows us history in flux . . . the book returns the
Australian-American novelist to the terrain that won her a Pulitzer
Prize with March, her 2005 tale of the war-absent father
from Little Women. She brings the same archival confidence
and sensory flair to the antebellum racetrack."
-The Guardian
"This is historical fiction at its finest, connecting threads of
the past with the present to illuminate that essentially human
something . . . Calling all horse girls: This is the story of the
most important racehorse you've never heard of, but it's also so
much more than that."
-Good Housekeeping
"A testament to the intelligence and humanity of animals, a
stinging rebuke of racist and abusive humans, and a study of how
the past gets recorded, remembered, and remade . . . anyone who
ever grew up loving horses, anyone who dearly loves an animal, will
find a cornucopia of riches in this novel."
-Boston Globe
"This heart-pounding novel about a famous antebellum champion
thoroughbred named Lexington and his talented, enslaved trainer
circles two tracks, one historical, one contemporary, to highlight
the ongoing scourge of racism in America."
-Christian Science Monitor
"Brooks is an accomplished writer . . . [She] has a talent and
passion for research that is fully expressed here-she writes
beautifully about the anatomy of horses and the delicate work of
'articulating' their skeletons, arranging every bone in its proper
place. The descriptions of 19th-century horse racing, when the
animals were bred differently and raced much longer tracks, are
thrilling."
-The Atlantic
"Horse mingles the past with the present, and history melds
with well-informed invention . . . Brooks crafts an exceptionally
sensitive portrayal of an enslaved groom and his special bond with
Lexington."
-Smithsonian Magazine
"Horse glows . . . engrossing, masterful . . . Brooks makes
each setting come alive . . . [N]ot the least of the lessons of
Horse is an understanding of the redemptive power of
art."
-St. Louis Post-Dispatch
"[F]ew authors can claim the range of Geraldine Brooks . . . What
truly sets her work apart from many others, however, is the
rigorous and extensive nature of her research [...] which shines
through on every page. Readers will not only enjoy Brooks's
well-told tales but will also likely learn something new along the
way . . . The end result is a deliciously dense, character-rich
exploration of the world of horse racing that still manages to make
some stinging observations about the modern-day state of race in
America."
-Paste
"[Y]ou won't be able to contain yourself while reading this elegant
story about three generations of people inspired by the story of
America's greatest racehorse . . . This is a novel about love,
anger, passion, and justice-unbridled and bursting."
-LitHub
"Brooks is such a sharp pleasure to read . . . her research is
meticulous, but she wears it lightly. And she writes supple,
vigorous prose . . . she sees a universal condition that transcends
the boundary lines of time and place . . . in short, she operates
one of the best time machines around."
-Garden & Gun
"With exceptional characterizations, Pulitzer Prize-winner Brooks
tells an emotionally impactful tale . . . [The] settings are
pitch-perfect, and the story brings to life the important roles
filled by Black horsemen in America's past. Brooks also showcases
the magnificent beauty and competitive spirit of Lexington
himself."
-Booklist (starred review)
"Brooks probes our understanding of history to reveal the power
structures that create both the facts and the fiction . . . [She]
has penned a clever and richly detailed novel about how we
commodify, commemorate, and quantify winning in the United States,
all through the lens of horse racing."
-Library Journal (starred review)
"[A] marvelous novel. Brooks structures the book like a mystery . .
. Through Jarret's story, the author reveals the unique and
indispensable role Black trainers and jockeys played in the
pre-Civil War South . . . Equestrian or no, readers will appreciate
Brooks's invitation to linger awhile among beautiful and graceful
horses, to see the devotion they engendered in her characters."
-Shelf Awareness
"A fascinating saga based on the true story of a famous
19th-century racehorse . . . Brooks's multiple narratives and
strong character development captivate, and she soars with the
story of Jarret."
-Publishers Weekly
"[Brooks] demonstrates imaginative empathy [...] and provides some
sardonic correctives to White cluelessness . . . Brooks skillfully
[...] demonstrate[s] how the poison of racism lingers. Contemporary
parallels are unmistakable . . . Strong storytelling in service of
a stinging moral message."
-Kirkus Reviews (starred review)
"[A] sweeping exploration of racial injustice."
-Electric Literature
Praise for Geraldine Brooks:
"Brooks is a master at bringing the past alive . . . in
[her]skillful hands the issues of the past echo our own deepest
concerns: love and loss, drama and tragedy, chaos and
brutality."
-Alice Hoffman, The Washington Post
"[Brooks] makes a masterly case for the generative power of
retelling . . . [her] real accomplishment is that she also enables
readers to feel the spirit of the place."
-The New York Times
"There's something bordering on the supernatural about Geraldine
Brooks. She seems able to transport herself back to earlier time
periods, to time travel. Sometimes, reading her work, she draws you
so thoroughly into another era that you swear she's actually lived
in it. With sensory acuity and a deep and complex understanding of
emotional states, she conjures up the way we lived then . . .
enrapturing."
-The Boston Globe
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