Foreword by J. Suzuki; Acknowledgements; Introduction; Editorial Notes. Part I: Historical Overview: The Edo Period (1600-1868); The Meiji and Taisho Periods (1868-1925); History of Japanese Prints in The Edo Period; The Birth of Ukiyo-e to the Development of Full-colour printing (mid-17th to mid-18th centuries); Birth of Full-colour Print: Suzuki Harunobu and His Artistic Milieu (1740s to late 18th century); Kitagawa Utamaro and His Contemporaries (late 18th to early 19th centuries); The First Half of the 19th Century; The Meiji Period: 1868-1912; The Early 20th Century and the Taisho Period (1912-26); Japanese Print Production; The Publishing Trade; Conservation. Part II: Reference Section; Approximately 2000 encyclopedia entries; Chronological Tables; Charts & Appendices; Contributors; Bibliography; Artist's Index.
Amy Reigle Newland has worked as a specialist editor and writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries. In either and editorial and/or authorial role, her publications include Japanese Erotic Fantasies: Sexual Imagery of the Edo Period (2005), Printed to Perfection: Twentieth-century Japanese Prints from the Robert O. Muller Collection (2004), A Courtesan’s Day: Hour by Hour (2004), The Commercial and Cultural Climate of Japanese Printmaking (2004), Kawase Hasui: The Complete Woodblock Prints (2003), Crows, Cranes & Camellias: The Natural World of Ohara Koson 1877-1945 (2001), Time Present and Time Past: Images of a Forgotten Master – Toyohara Kunichika 1835-1900 (1999), Heroes & Ghosts: Japanese Prints by Utagawa Kuniyoshi 1797-1861 (1998), and The New Wave: Twentieth-century Japanese Prints from the Robert O. Muller Collection (1993). The Hotei Encyclopedia of Japanese Woodblock Prints (2005) is her most ambitious project to date, one which was coordinated from her home in rural New Zealand where she lives with her husband, son and flock of sheep.
'The bulk of the encyclopedia are essays written by fifty experts
dealing with the many technical, genre, and evolutionary aspects of
the woodblock prints. As I read the encyclopedia from cover to
cover, the quality of the essays struck me as consistently quite
high, evidence of good editing...For collectors, the encyclopedia
offers information on what to look for in quality, artist and
publisher identification, and other critical details...The Hotei
encyclopedia is an excellent starting point for collectors.'
Todd Shimoda, The Asian Review of Books, 2006. '
.... these two volumes are a major achievement. They summarize the
current state of the field and its history, both in Japanese and in
Western language publications, contain practical information of use
to both novice and veteran collectors, and include a large number
of indispensable reference materials, many available in English for
the first time. Overall, the editors did an excellent job selecting
topics and authors for the essays, which provide succinct summaries
of their subjects. The best of these go beyond mere summarization
and provide a sense of how studies on these topics developed
historically, reveal recently addressed avenues of research, use
close discussion of specific prints to amplify larger points that
place print production within a cultural context, and suggest
directions for future scholarship.
College Art Association Reviews, Pat Graham.
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