The true story of the Getty family as featured in the TV series Trust and the movie All the Money in the World
Prologue: The Midas contagion
Part One: The Making of an Oilman 1903–23
1. ‘Set another place for breakfast’
2. ‘You’ll have to start at the bottom’
3. ‘Congratulations, Paul, it’s making thirty barrels’
4. ‘This is oil land!’
Part Two: The Wayward Husband 1924–48
5. ‘Who was that girl with Paul?’
6. ‘He should dress you in sable’
7. ‘My first thought was this is THE girl’
8. ‘Teddy phoned. Miss her so much’
9. ‘My dearest darling left to join Papa’
10. ‘A simple Irish girl of deep spirituality’
Part Three: The Richest Tycoon 1949–64
11. ‘In the name of God, the Merciful and Compassionate…’
12. ‘Where is the oil, where is the money?’
13. ‘I don’t believe in giving my competitors a head start’
14. ‘A billion dollars isn’t what it used to be’
15. ‘Good, old-fashioned, vulgar fun’
Part Four: The Family 1965–85
16. ‘Bad health, bad news and death’
17. ‘Don’t let me be killed’
18. ‘A lecher, a miser, a womaniser’
19. ‘Money to fuel the legal engines forever’
20. ‘Not all the Gettys are interested in becoming
billionaires’
21. ‘A curse on the family’
Epilogue: The courage of Martine
A Note on the Author
Russell Miller is a prize-winning journalist and the author of eleven previous books. He was born in east London in 1938 and began his career in journalism at the age of sixteen. While under contract to the Sunday Times Magazine he won four press awards and was voted Writer of the Year by the Society of British Magazine Editors. His book Magnum, on the legendary photo agency, was described by John Simpson as 'the best book on photo-journalism I have ever read', and his oral histories of D-Day, Nothing Less than Victory, and SOE, behind the lines were widely acclaimed, both in Britain and in the United States as is Ten Days in May, The People's Story of VE Day.
Elegant and immensely readable
*The Times*
A useful reminder that being rich is not enough
*The New York Times*
Russell Miller shows a life of great and inspiring entrepreneurial
achievement, coupled with the hubris of Getty’s personal
tragedies
*New York Magazine*
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