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The Hydrogen Sonata
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* Massive online advertising campaign in conjunction with Orbit US * Extensive PR, both to conventional media and online * Featured on www.orbitbooks.net and in the Orbit ezine * Author website at www.iain-banks.net

About the Author

Iain Banks came to widespread and controversial public notice with the publication of his first novel, THE WASP FACTORY, in 1984. He has since gained enormous popular and critical acclaim for both his mainstream and his science fiction novels. Iain lives in Fife, Scotland.

Reviews

Banks's latest Culture novel (after Surface Detail and Matter) is about the search for a 9800-year-old man. The hunter is a young musician who lives in -Girdlecity, a sculpted city that wraps around an entire planet. She's added a second pair of arms to her body to play that famously difficult instrument, the elevenstring. Her people are preparing to Sublime-to leave this universe and translate en masse to another, body-free plane of existence. Their holy book urges them to do this. The book always proved true in the past, but what if it is a hoax, foisted on them eons ago by alien tricksters? The 9800-year-old man may know the answer, but first she has to find him. VERDICT Banks's novels set in the alt-universe of the Culture are richly peopled with sentient beings, from energy people to ship Minds to all kinds of humanoids, insectoids, and what have you. No matter how exotic a detail, as Banks describes it, it's credible. And his stories grab your attention. Of interest not only to sf fans but also to lovers of good prose and plotting. [See Prepub Alert, 6/13/12; the author also writes noir fiction as Iain Banks.-Ed.]-David Keymer, Modesto, CA (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

25 years after Banks's first Culture novel he is as exuberant, slyly funny and mind-stretchingly imaginative as ever - SUNDAY TIMESEpic in scope, ambitious in its ideas and absorbing in its execution - INDEPENDENT ON SUNDAYSharply satirical and packed with brilliant action scenes, this space opera proves British SF's big beard still plays the best tunes - BBC FOCUS

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