Robert Graves was born in 1895 in Wimbledon, the son of Irish writer Perceval Graves and Amalia Von Ranke. He went from school to the First World War, where he became a captain in the Royal Welsh Fusiliers. After this, apart from a year as Professor of English Literature at Cairo University in 1926, he earned his living by writing, mostly historical novels, including- I, Claudius; Claudius the God; Count Belisarius; Wife of Mr Milton; Sergeant Lamb of the Ninth; Proceed, Sergeant Lamb; The Golden Fleece; They Hanged My Saintly Billy; and The Isles of Unwisdom. He wrote his autobiography, Goodbye to All That, in 1929, and it was soon established as a modern classic. The Times Literary Supplement acclaimed it as 'one of the most candid self portraits of a poet, warts and all, ever painted', as well as being of exceptional value as a war document. Two of his most discussed non-fiction works are The White Goddess, which presents a new view of the poetic impulse, and The Nazarine Gospel Restored (with Joshua Podro), a re-examination of primitive Christianity. He also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubaiyat of Omar Khayyam
Graves's legendary tale of Claudius, a nobleman in the corrupt and cruel world of ancient Rome during the rule of Augustus, Tiberius and Caligula, is a truly compelling listening experience. Derek Jacobi returns to the role that defined his career when he starred in the 1976 Masterpiece Theatre miniseries I, Claudius. Jacobi is so strong in this role, it seems created especially for him. Jacobi's compelling voice demands his audience's undivided attention from start to finish and in doing so delivers an unforgettable performance as Claudius yet again. So incredibly personal is Jacobi's performance that listeners feel almost as if eavesdropping on someone's private life, which only draws us deeper into this gem of modern literature. (Aug.) Copyright 2008 Reed Business Information.
I, CLAUDIUS and CLAUDIUS THE GOD are an imaginative and hugely readable account of the early decades of the Roman Empire ... racy, inventive, often comic * Daily Telegraph * One of the really remarkable books of our day, a novel of learning and imagination, fortunately conceived and brilliantly executed * New York Times * Still an acknowledged masterpiece and a model for historical fiction ... sympathetic and intensely involving: a great feat of imagination -- Hilary Mantel