Contents
Preface to The Ibsen Cycle ix
Preface to the First Edition xv
Acknowledgments xix
Abbreviations xxi
Introduction 1
PART I
1. The "Dramatic" Content of Hegel's Philosophy 27
2. The Philosophical Content of Ibsen's Drama 65
3. The Structure of the Cycle 98
PART II
4. Archetypal Repetition in Ghosts 189
5. The Dialectic of Rosmersholm 237
6. Death and Transfiguration in The Master Builder 289
Epilogue: Ibsen and Modernism 353
Appendix 1: Ghosts 376
Appendix 2: Rosmersholm 380
Appendix 3: The Master Builder 390
Selected Bibliography 397
Index 404
Brian Johnston is editor of Theater Three and author of To the Third Empire (1980) and Text and Supertext in Ibsen's Drama (Penn State, 1989).
“Johnston’s analysis of the design of Ibsen’s mature plays from
Pillars of Society to When We Dead Awaken is the single most
provocative and critically exciting book of Ibsen criticism in
decades and will most likely alter significantly the course of
Ibsen criticism.”—Choice
“In the less than two decades since The Ibsen Cycle, Johnston’s
impact has been so profound that there has been an almost complete
turnaround in Ibsen criticism and Ibsen production. . . . No one
writes about Ibsen like Brian Johnston.”—Michael X. Zelenak, Yale
University (Comparitive Drama)
“Attempting no less a task than to demonstrate that Ibsen planned
his last twelve plays, beginning with Pillars of Society, as a
cycle paralleling exactly Hegel’s account of the evolution of the
human consciousness, The Phenomenology of Mind, Johnston offers a
fresh look at the Norwegian master. Although there is little
specific biographical data is support of the author’s thesis, he
argues Hegel’s dramatic method of exposition and Ibsen’s
philosophy, Johnston examines each of the twelve plays in
considerable detail. Provocative and sophisticated in its approach,
this volume should be widely available to scholars and advanced
students of modern drama.”—Library Journal
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