About the Author

Christopher Alan Smith was born in Nottingham in 1954. He has travelled widely and lived in the Netherlands for five years, where his innate talent for languages enabled him to speak fluent Dutch within a few months and work as a logistics coordinator for a major transport company. His travels also include three visits to Iceland; on the second visit, he stayed in the country for 8 months and worked as a volunteer at the Museum of Icelandic Sorcery and Witchcraft in Holmavik. Christopher's interest in magic began when he was a student at the University of Sheffield, at which time the main emphasis in the available literature was on the Western Tradition of Kabbalistic magic. However, his taste for travel, languages and a restless search for knowledge clearly indicated Woden as his example, leading him within a few years towards Rune Magic and ultimately to membership of the Rune Gild. His Fellowship Work for the Gild, "The Icelandic Tradition of Magic" was published in 2012 as part of the collection "Occult Traditions" (Numen Books). In 2014 he was awarded the title of Master in the Rune Gild for his Master-work "Icelandic Magic in the Early Modern Period", which forms the basis of this book. As he wryly comments in the introduction, "As my sixtieth birthday was approaching, I realised that I should perhaps have started on this project about forty years ago, beginning by studying Icelandic and folklore at university instead of politics... but one has to start somewhere." Today he lives in North Yorkshire and, when not practising and researching Icelandic magic, works as a freelance translator.

Reviews

Icelandic magic brought to life Before I read this book I confess to knowing very little about Iceland, Icelanders and nothing of their magic. With his clear and uncomplicated writing on what could be perceived as a very complex subject, the author has skilfully created a very interesting, informative and incredibly easy read. He gives a fascinating insight to the life, culture, geography and of course the magic, from the Middle Ages through to the early modern period on this sub-Arctic land. I can fully understand why Icelanders resorted to magic as a crutch to help them survive in their relentless battle against the elements, eking a living from the very limited fertile land and the seas. There are a few hilariously funny moments where, as the saying goes, I laughed my socks off. After reading this book I shall now be a little more wary with whom I shake hands and keep a watchful eye on my bedpost! I highly recommend this book. - Sandy Mac, Amazon reviewer

A tremendously interesting volume. This book is a comprehensive analysis of the methods and techniques of the Icelandic magicians, based upon a selection of the surviving grimoires.

It is a fascinating study. The aims of most of the spells, and the simple tools used (generally just the owner's personal eating knife) makes it plain that these practices were largely in the hands of farmers and the poorer members of the population, not the intelligentsia (i.e. priests and nobility) as was generally the case in Europe. This is reinforced by how simple and direct the practice was, in most cases a simple stave and / or incantation sent and directed by the will of the practitioner. This fits very well with the descriptions of Icelandic magic that have come down to us in the sagas.

The author's insights are keen and although this is an academic, analytical work rather than a practical one, it is written in a pleasantly clear and uncluttered manner, with great typesetting that really makes it an interesting and refreshing read. Although the information they contain is nearly always fascinating, such analytic texts can often be quite dry to read. This one very definitely isn't, it's a delight and it's enthralling.

A broad selection of spells and staves are reprinted from the grimoires (these are photographic reproductions, not copied by hand, to avoid errors) to illustrate the points made in the text. Where incantations are given, they are often given in both the original Icelandic as well as English translation. This is very welcome, as the metre and alliteration of the original language really demonstrates how compellingly beautiful these incantations could be.

The relationships between the staves and more recognisable methods of rune magic are discussed, of course, as these Icelandic staves have a style all their own.

A tremendously interesting volume that should be on the shelf of anyone interested in the magic or myth of the North. - Michael Kelly, Amazon reviewer