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The Iliad
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About the Author

Homer is thought to have lived c.750-700 BC in Ionia and is believed to be the author of the earliest works of Western Literature- The Odyssey and The Iliad. E V Rieu was a celebrated translator from Latin and Greek, and editor of Penguin Classics from 1944-64. His son, D C H Rieu, has revised his work. Peter Jones is former lecturer in Classics at Newcastle. He co-founded the 'Friends of Classics' society and is the editor of their journal and a columnist for The Spectator.

Reviews

Why another Iliad? Just as Homer's work existed most fully in its performance, so the Homeric texts call periodically for new translations. With this in mind, Fagles offers a new verse rendering of the Iliad. Maneuvering between the literal and the literary, he tries with varying degrees of success to suggest the vigor and manner of the original while producing readable poetry in English. Thus, he avoids the anachronizing of Robert Fitzgerald's translation, while being more literal than Richard Lattimore's. Fagles's efforts are accompanied by a long and penetrating introduction by Bernard Knox, coupled with detailed glossary and textual notes.-- T.L. Cooksey, Armstrong State Coll., Savannah, Ga.

"Fitzgerald has solved virtually every problem that has plagued translators of Homer. The narrative runs, the dialogue speaks, the military action is clear, and the repetitive epithets become useful text rather than exotic relics." -Atlantic Monthly

"Fitzgerald's swift rhythms, bright images, and superb English make Homer live as never before...This is for every reader in our time and possibly for all time."-Library Journal "[Fitzgerald's Odyssey and Iliad] open up once more the unique greatness of Homer's art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase." -The Yale Review

"What an age can read in Homer, what its translators can manage to say in his presence, is one gauge of its morale, one index to its system of exultations and reticences. The supple, the iridescent, the ironic, these modes are among our strengths, and among Mr. Fitzgerald's." -National Review With an Introduction by Gregory Nagy

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