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I'm Dying Up Here
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In the mid-1970s, Jay Leno, David Letterman, Andy Kaufman, Richard Lewis, Robin Williams, Elayne Boosler, Tom Dreesen, and several hundred other shameless showoffs and incorrigible cutups from all across the country migrated en masse to Los Angeles, the new home of Johnny Carsons Tonight Show. There, in a late-night world of sex, drugs, dreams and laughter, they created an artistic community unlike any before or since. It was Comedy Camelotbut it couldnt last. William Knoedelseder, then a cub reporter covering the scene for the Los Angeles Times, was there when the comedianswho were not paid for performingtried to change the system and incidentally tore apart their own close-knit community. In Im Dying Up Here he tells the whole story of that golden age, of the strike that ended it, and of how those days still resonate in the lives of those who were there.
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About the Author

William Knoedelseder is the author of Stiffed: A True Story of MCA, The Music Business, and the Mafia, and In Eddie's Name. He lives near Los Angeles, California.

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In 1978, Knoedelseder (Stiffed: A True Story of MCA, the Music Business, and the Mafia) was a journalist assigned to cover newcomers transforming the comedy clubs: "For the next two years, I had stage-side seats at the best show in show business.... I met and wrote about Jay Leno, David Letterman and Richard Lewis before the world knew who they were." Mitzi Shore, recently labeled "the Norma Desmond of Comedy" by the Los Angeles Times, took over L.A.'s Comedy Store in 1973 with a no-pay policy because she saw it as "a training ground, a workshop, a college." It became a focal point for local comics, including Lewis, his friend Steve Lubetkin, Elayne Boosler, Tom Dreesen, Letterman, Leno and many more. Some were in desperate circumstances, surviving by living in their cars and eating bar condiments. Driving a silver Jaguar to her "massive, cash-generating laugh factory," Shore was seen as "cunningly manipulative," and her unfair payment policies led to an organized strike in 1979 by the CFC (Comedians for Compensation). This confrontation of comics vs. club owner ("Not... one... red... fucking... cent") is the core of the book, with the suicide of Lubetkin taking the tone from comedy to tragedy. Filmmakers will eye this as a potential property similar to Bill Carter's The Late Shift (1996), about Letterman and Leno. Knoedelseder skillfully layers powerful dramatic details, and readers will shelve the book alongside those other key classics on comedy: Steve Allen's The Funny Men and Janet Coleman's The Compass. (Aug. 24) Copyright 2009 Reed Business Information.

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