Table of Contents

Introduction: Formative Fictions and the Work of News Images PART ONE. IMAGE-MAKING 1 What Precedes the Digital News Image? 2 Global Views Inc.: Visualizing Politics, from Shock and Awe to the Fall of Saddam Hussein 3 Agence France-Presse: What Is the Dominant? 4 Newsworld: Everyday Practices of Editing the World PART TWO. WORLDMAKING 5 Barnstorm: An American Rite of Passage 6 Visa Pour l'Image: Personal Visions and Amateur Documents 7 World Press Photo: Developing World Photography Conclusion: Waiting for the Dust to Settle Acknowledgments Contents Appendix A: Cast of Characters Appendix B: Timeline of the "War on Terror" Notes Bibliography Index

About the Author

Zeynep Devrim Gursel is a media anthropologist and Assistant Professor of International Studies at Macalester College.