Introduction 1 Introduction; Chapter 1 An Intimate Distance; Chapter 2 Mother Figures; Chapter 3 ‘A Perfect Woman’; Chapter 4 Bodies in the Work; Chapter 5 Life and A.R.T; Chapter 6 Body Horror?; Chapter 7 Identities, Memories, Desires;
Rosemary Betterton teaches art history and critical studies at Sheffield Hallam University. She is the author of Looking On: Images of Femininity in the Visual Arts and Media, and has written widely in the areas of feminist art history and theory.
"Readers will certainly come away with a new understanding of our
culture and a new idea of what women have done and must do in order
to influence change."
-"Women Artists News Book Review
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