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The Inventor and the Tycoon
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About the Author

EDWARD BALL is the author of four works of nonfiction, including the bestselling, National Book Award-winning Slaves in the Family. Born and raised in the South, he attended Brown University and received his MFA from the University of Iowa before coming to New York and working as an art critic for the Village Voice. He lives in Connecticut and teaches writing at Yale University.

Reviews

“Fascinating . . . a beefy and rambunctious history that is both a Victorian-age saga and true crime mystery.”
—Chicago Tribune 
 
“Engrossing. . . . [A] fascinating story, full of strange and surprising details. . . . Although Muybridge was a chameleon-like figure throughout his life, Ball uses exhaustive research and vivid details to pin him down so we can have a good look at him.”
—The New York Times Book Review
 
“Superb. . . . Leland Stanford and Eadweard Muybridge were an odd couple. . . . A beautifully written account of the collaboration of these two ambitious, contentious and ultimately incompatible men.”
—San Francisco Chronicle
 
“Rich in history. . . . Muybridge’s projections were the beginnings of the media culture that holds us in thrall today.”
—Newsday

“The Inventor and the Tycoon involves capitalism, money, murder, trains, horse racing, photography and the beginning of moving pictures. Ball has infused the famous and the infamous into a story so large it might as well be fiction.”
—Seattle Post-Intelligencer

“Amusing and informative. . . . What lifts The Inventor and the Tycoon . . . is that both of the principals can lay claim to achievements of national, and one might even say global, significance. . . . Mr. Ball details the story of the two men’s long association with sympathy and flair.”
—The Wall Street Journal

“Engaging. . . . This story has all the elements of a fascinating HBO drama—wealth, greed, sex, adultery, genius, betrayal, murder, scandal and tragedy. At the center of Edward Ball’s compelling yet complicated biographical saga of two formidable men during The Gilded Age of late 19th-century California is an unlikely alliance of invention whose peculiar tale is vividly telling of the place and times.”
—USA Today

“[A] remarkable story of the alliance between the eccentric inventor of the motion picture and the mogul who built the nation’s rails. It is a story that, for all its whirling parts and divagations, tells us a great deal about the crossroads of money and art in America. What is most interesting about this book is the making of an astonishing artist, the marvelous photographs that attest to his genius, the rousing good yarn at the nexus of industry and art.”
—The Washington Post

“In The Inventor and the Tycoon , Ball, author of the National Book Award-winning Slaves in the Family, has brilliantly fused the stories of two larger-than-life figures into a single glittering object: part social-cultural history, part melodrama, part chronicle of American self-invention. one gallops through this book with undiminished ardor [and] Ball carefully sculpts prose of bright exuberance.”
—The Boston Globe

“Sprawling and richly detailed. . . . The Inventor and the Tycoon tells the story of how wealthy mogul Leland Stanford and photographic wizard Edward Muybridge joined forces to create the moving picture, the technology that now dominates our image-flooded age. This nonfiction book, which reads like a Hollywood-style thriller, is set mainly in the City by the Bay, with a raucous history of westward railroad expansion (with Stanford as lead) thrown in for added depth. Fans of both early photography and the history of the West will be rewarded by the story Ball weaves together.”
—The Seattle Times

“Ball tells this interesting tale of invention and mayhem in The Inventor and the Tycoon. Ball’s book pairs the stories of Muybridge, gifted photographer and one of the founders of motion pictures, and Stanford, creator of the Central Pacific Railroad and the university that still bears his name. Detailed and thoroughly researched, The Inventor and the Tycoon is at its best describing the milieu of a frontier world where ordinary men like Leland Stanford could amass great fortunes, and where Edward Muybridge could find what genius he possessed (and evade justice in the process).”
—Star Tribune

“The Inventor and the Tycoon displays Ball’s particular ability to mine history and create a compelling narrative that includes larger-than-life characters and reveals something about our inheritance.”
—The Post & Courier

“National Book Award-winner Ball returns with a complex story about railroad tycoon Leland Stanford and the murdering man who for a time was his protégé, pioneering photographer Eadweard Muybridge. . . . A skillfully written tale of technology and wealth, celebrity and murder and the nativity of today’s dominant art and entertainment medium.”
—Kirkus Reviews

National Book Award winner Ball's (Slaves in the Family) narrative tells two stories about motion-studies photographer Edward Muybridge: his role in an 1874 murder and his work in creating moving pictures. This wonderfully illustrated and well-researched book takes readers on a journey from the photographer's beginnings in England (he was then known as Ted Muggeridge) to his rise to fame once he exhibited moving pictures for the first time. Ball pairs this with the story of Muybridge's benefactor, Leland Stanford, a railroad-magnate millionaire and founder of Stanford University. For this narrative, the ample use of Muybridge's photographs and other contemporary images are especially revealing of the world that the photographer and Stanford inhabited in Gilded Age California, where murder could be justified and defended. Muybridge found greater fame after the murder and subsequent trial-fame that stemmed from his photographic work, not his scandal-ridden personal life. -VERDICT This is a story of transformation and of the drive that many 19th-century Americans felt to write their own stories. Recommended for general readers, historical true-crime buffs, and those interested in the history of photography and motion pictures.-Amelia Osterud, Carroll Univ. Lib., Waukesha, WI (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

"Fascinating . . . a beefy and rambunctious history that is both a Victorian-age saga and true crime mystery."
-Chicago Tribune

"Engrossing. . . . [A] fascinating story, full of strange and surprising details. . . . Although Muybridge was a chameleon-like figure throughout his life, Ball uses exhaustive research and vivid details to pin him down so we can have a good look at him."
-The New York Times Book Review

"Superb. . . . Leland Stanford and Eadweard Muybridge were an odd couple. . . . A beautifully written account of the collaboration of these two ambitious, contentious and ultimately incompatible men."
-San Francisco Chronicle

"Rich in history. . . . Muybridge's projections were the beginnings of the media culture that holds us in thrall today."
-Newsday

"The Inventor and the Tycoon involves capitalism, money, murder, trains, horse racing, photography and the beginning of moving pictures. Ball has infused the famous and the infamous into a story so large it might as well be fiction."
-Seattle Post-Intelligencer

"Amusing and informative. . . . What lifts The Inventor and the Tycoon . . . is that both of the principals can lay claim to achievements of national, and one might even say global, significance. . . . Mr. Ball details the story of the two men's long association with sympathy and flair."
-The Wall Street Journal

"Engaging. . . . This story has all the elements of a fascinating HBO drama-wealth, greed, sex, adultery, genius, betrayal, murder, scandal and tragedy. At the center of Edward Ball's compelling yet complicated biographical saga of two formidable men during The Gilded Age of late 19th-century California is an unlikely alliance of invention whose peculiar tale is vividly telling of the place and times."
-USA Today

"[A] remarkable story of the alliance between the eccentric inventor of the motion picture and the mogul who built the nation's rails. It is a story that, for all its whirling parts and divagations, tells us a great deal about the crossroads of money and art in America. What is most interesting about this book is the making of an astonishing artist, the marvelous photographs that attest to his genius, the rousing good yarn at the nexus of industry and art."
-The Washington Post

"In The Inventor and the Tycoon , Ball, author of the National Book Award-winning Slaves in the Family, has brilliantly fused the stories of two larger-than-life figures into a single glittering object: part social-cultural history, part melodrama, part chronicle of American self-invention. one gallops through this book with undiminished ardor [and] Ball carefully sculpts prose of bright exuberance."
-The Boston Globe

"Sprawling and richly detailed. . . . The Inventor and the Tycoon tells the story of how wealthy mogul Leland Stanford and photographic wizard Edward Muybridge joined forces to create the moving picture, the technology that now dominates our image-flooded age. This nonfiction book, which reads like a Hollywood-style thriller, is set mainly in the City by the Bay, with a raucous history of westward railroad expansion (with Stanford as lead) thrown in for added depth. Fans of both early photography and the history of the West will be rewarded by the story Ball weaves together."
-The Seattle Times

"Ball tells this interesting tale of invention and mayhem in The Inventor and the Tycoon. Ball's book pairs the stories of Muybridge, gifted photographer and one of the founders of motion pictures, and Stanford, creator of the Central Pacific Railroad and the university that still bears his name. Detailed and thoroughly researched, The Inventor and the Tycoon is at its best describing the milieu of a frontier world where ordinary men like Leland Stanford could amass great fortunes, and where Edward Muybridge could find what genius he possessed (and evade justice in the process)."
-Star Tribune

"The Inventor and the Tycoon displays Ball's particular ability to mine history and create a compelling narrative that includes larger-than-life characters and reveals something about our inheritance."
-The Post & Courier

"National Book Award-winner Ball returns with a complex story about railroad tycoon Leland Stanford and the murdering man who for a time was his protege, pioneering photographer Eadweard Muybridge. . . . A skillfully written tale of technology and wealth, celebrity and murder and the nativity of today's dominant art and entertainment medium."
-Kirkus Reviews

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