Table of Contents

• Contents
• List of Illustrations
• Acknowledgments
• Note on Transliteration
• Introduction
• 1. "The Power of the State Should Be in the Hands of the Punks": The Literary Origins of a Protest Movement
• 2. Making Post-Soviet Counterpublics: The Aesthetics of Limonka and the National Bolshevik Party
• 3. Bohemianism, Political Militancy, and Resistance to Modernity: The NBP as Social Practice
• 4. Aleksandr Dugin's Conservative Postmodernism
• 5. A Conservative Bohemia: The Eurasia Movement as an Aesthetic-Political Project
• Conclusion
• Notes
• Works Cited
• Index 283

About the Author

Fabrizio Fenghi is an assistant professor of Slavic studies at Brown University.

Reviews

"A compelling and insightful work of scholarship. I'm particularly impressed with the fact that Fenghi manages to include sketches of individual National Bolsheviks as a seamless part of a narrative that is largely about public figures."--Eliot Borenstein, New York University

"Provides a rich and nuanced narrative filling in an important piece of the puzzle of post-Soviet Russian culture and politics. This book offers fascinating insights into the curious blend of conservative postmodernism and radical provocations that fuels the Russian far right."--Peter Rutland, Wesleyan University