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James McNeill Whistler and France


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Table of Contents

ContentsList of IllustrationsAcknowledgmentsIntroduction: Whistler's Dialogues 1. Crossing Thresholds: Baudelaire and Whistler2. The Artist's Studio: Courbet and Whistler3. Voyage: Manet and Whistler4. Holland and the Modern Interior: Degas and Whistler5. Alliteration and Ellipses: Monet, Mallarme and Whistler6. Seurat's Butterfly: Seurat and WhistlerConclusion: Whistler and FranceBibliographyIndex

About the Author

Suzanne M. Singletary is Associate Professor of Art and Architectural History at Philadelphia University. She has published on Eugene Delacroix, French Symbolism, and Francesco Goya, and contributed essays to Impressionist Interiors (2008), Perspectives on Manet (2012) and Rival Sisters (2014).


"Singletary has composed a beautifully written text (her prose at times rises to level of Mallarme's and Baudelaire's) that may complement recent work into Whistler's international connections."--Nineteenth-Century Art Worldwide"Suzanne Singletary's fascinating study is the first to dig deeply into the subsoil and range of Whistler's relationships with France. ... [It] is an important contribution to Whistler studies that also enriches understanding of some of the leading names of nineteenth-century modernism."--CAA Reviews

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