Camilla Smith is Associate Professor in Art History in the Department of Art History, Curating and Visual Studies at the University of Birmingham, UK, where she specialises in modern art, architecture and design in Germany and Austria. Her research into aspects of German modernism is published in leading journals such as New German Critique, Oxford Art Journal and Art History, and she has contributed to international exhibitions held in London, Berlin and Vienna.
In this study, Camilla Smith wrests Jeanne Mammen from narratives
of a sexually liberated Weimar culture and its fall to reveal a
more compelling and complex artist. With both sensitivity and
precision, Smith illuminates the complexities of Mammen’s ‘inner
emigration’—the fine lines between non-conformism and dissent,
camouflage and accommodation—followed by the risks and
possibilities of post-war culture in Berlin.
*Frederic J. Schwartz, Emeritus Professor of History of Art and
Architecture, University College London, UK*
Beautifully illustrated and compulsively readable, Jeanne Mammen:
Art Between Resistance and Conformity in Germany, 1916–1950
explores the dramatic life and multifaceted work of one of Europe’s
most innovative artists. Moving beyond the dazzling “Glitter and
Doom” of Mammen’s Weimar-era illustrations, Camilla Smith
thematizes Mammen as an observer, artist, and translator, a woman
alive to the possibilities of her age who lived through two world
wars and negotiated her own inner immigration under the Nazi
dictatorship. The is a thrilling new examination of an essential
modernist artist whose significance has too long escaped
scrutiny.
*Elizabeth Otto, Professor of Modern & Contemporary Art History,
University at Buffalo (SUNY), USA*
|
Ask a Question About this Product More... |
|
