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John Nichols's The Progresses and Public Processions of Queen Elizabeth
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Table of Contents

Appendices
Appendix 1: The marriage and coronation of Anne Boleyn, 29 May - 4 June 1533
Appendix 2: Extracts from Paul Hentzner's Itinerarium
Appendix 3: Greenwich Palace
Appendix 4: Richmond Palace
Appendix 5: Pre-Elizabethan tournaments
Appendix 6: John Norden's description of Westminster including Queen Elizabeth's Palaces
Appendix 7: Sir Thomas Gresham and Osterley Park
Appendix 8: Henry Carey, Lord Hunsdon
Appendix 9: Havering Palace
Appendix 10: Christmas and New Year at the Inner Temple
Appendix 11: Theobalds
Appendix 12: The divinity disputation held at the University of Cambridge before Queen Elizabeth, 9 August 1564
Appendix 13: Letters written to the University of Oxford relating to religious conformity, 1566 - 73
Appendix 14: Paul Hentzner's descriptions of Oxford and Woodstock
Appendix 15: Gorhambury House
Appendix 16: Accounts of the Queen's Purse, 1558 - 70
Appendix 17: Queen Elizabeth's visits to John Dee at Mortlake, 1575 - 80
Appendix 18: Hawstead House
Appendix 19: Accession Day tournament speech
Appendix 20: Edward Popham's epitaph for Sir Philip Sidney
Appendix 21: The funeral monument of Sir Ralph Sadler
Appendix 22: The funeral monument of Robert Dudley, Earl of Leicester
Appendix 23: Quarrendon Chapel
Appendix 24: A cartel for a challenge
Appendix 25: The supplication of Sir Henry Lee
· Appendix 26: Catalogue of the Nichols family's annotated copy of The Progresses and Public Processions of Queen Elizabeth (1823)
Bibliography of Printed Sources
Primary sources (pre-1700), including modern editions of pre-1700 material
Select secondary sources (post-1700).
Index

About the Author

Dr. Jayne Elisabeth Archer is lecturer in Medieval and Renaissance Literature in the Department of English Literature, Aberystwyth University. She is an Associate Fellow of the Centre for the Study of the Renaissance, University of Warwick, where she spent four years as AHRC postdoctoral Research Fellow on the John Nichols Project. She is co-editor of The Progresses, Pageants, and Entertainments of Queen Elizabeth I (Oxford: Oxford University Press, 2007),
and has published articles on Elizabethan and Jacobean masques, early modern women's receipt books, and alchemy in early modern literature. She is currently working on a book-length study of the relationship
between housewifery and natural philosophy in early modern literature.

Dr. Elizabeth Clarke is Professor of English at the University of Warwick. She is author of Theory and Theology in George Herbert's Poetry (Oxford University Press, 1997) and has just finished a study in versions of the Song of Songs in seventeenth-century England. She was director of the Perdita Project for early modern women's manuscripts and is currently directing a British Academy-funded project on the life-writing of Elizabeth Isham (1608-1654).
Dr. Elizabeth Goldring was a Research Fellow in the University of Warwick's Centre for the Study of the Renaissance and is now an Associate Fellow of both the Centre and Warwick's History of Art Department. She is co-editor of two essay collections - The Progresses, Pageants, and Entertainments of Queen Elizabeth I (Oxford University Press, 2007) and Court Festivals of the European Renaissance: Art, Politics and Performance (Ashgate, 2002) - and associate general editor of
Europa Triumphans: Court and Civic Festivals in Early Modern Europe (Ashgate, 2004). Other recent publications include articles in The British Art Journal, The Burlington Magazine, and ELR: English Literary Renaissance.
She was Consultant to English Heritage for the exhibition 'Queen and Castle: Robert Dudley's Kenilworth', which opened in 2006.

Reviews


"Quentin Skinner's Forensic Shakespeare, which began as a series of lectures about rhetorical invention, makes the clear and convincing case that rhetorical manuals, and especially those portions concerned with courtroom speeches, deserve to be considered alongside Holinshed's Chronicles and Ovid's Metamorphoses as one of Shakespeare's most common sources for both language and dramaturgy." -- Los Angeles Review of Books

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