Roberts posits this work as one through which Kahlo challenged a constellation of assumptions about both her work and her person: the exoticizing and fetishization of her paintings and appearance; her relationship to both her husband Diego Rivera and to the other male giants of Mexican painting at the time... confrontational in its uniqueness, but also equally resolutely Kahlo in the ways in which her work consistently raised "questions about the intersection of our private experiences with the expectations of a broader social realism."--Jerrold Shiroma "ARLIS/NA Reviews"
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