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The terrifying thriller from the acclaimed and bestselling author of Dark Hollow

About the Author

John Connolly was born in Dublin in 1968. His debut - EVERY DEAD THING - swiftly launched him right into the front rank of thriller writers, and all his subsequent novels have been Sunday Times bestsellers. He is the first non-American writer to win the US Shamus award.

Reviews

The unrivalled master of Maine noir. Menace has never been so seductive. - Maxim Jakubowski, GuardianAs John Connolly plunges ever deeper into the underworld of the damned, the reader, with eyes of slits, must cling on for this brilliantly terrifying ride. - Irish TimesWhat makes Parker intriguing is precisely that, though a crusader against evil, he has a dark side: he is haunted by the past, his capacity for violence and guilt. - Telegraph MagazineConnolly's achievement is a literary thriller, charged with menace from beginning to end, taut as it is terrifying. - Live WireJohn Connolly knows how to get you to check the lock on your door before you put the lights out and again before you get into bed. - r?-raArachnophobes should give this novel a wide berth - Evening StandardConnolly has become the leading commentator on Maine's morbidity - Times PlayConnolly's characters have substance beyond vehicles for horror, and this is what puts him ahead in a crowded genre race - What's On (Amazon Books)

Move over, Spider-Man. Arachnophobes, proceed at your own peril. Elias Pudd, the archfiend in Connolly's masterful third suspense novel (following Every Dead Thing and Dark Hollow) finds such grizzly uses for spiders of all, er, stripes that he makes that dastardly villain Hannibal Lecter seem like Little Lord Fauntleroy. Pudd, however, is just one in a splendidly drawn cast that propels this gripping, intricately plotted tale. When a road crew in northern Maine accidentally unearths a grave site, the bodies turn out to be members of the Aroostook Baptists, a cultlike religious group whose members disappeared in the 1960s. Meanwhile, private investigator Charlie Parker (from the earlier novels) is hired to investigate the suspicious suicide of Grace Peltier, who was working on a graduate thesis concerning-guess what?-the Aroostook Baptists. Further muddying the waters is the Fellowship, a group led by the supremely unctuous Carter Paragon (nee Chester Quincy Deedes, "the name on his birth certificate and his criminal record"), which turns out to be far more sinister than anyone realized. From Connolly's opening words-"This is a honeycomb world. It hides a hollow heart"-it's clear that this is no ordinary thriller; indeed, his random musings on the manifestations of evil, coupled with Parker's visions and flashbacks, lend the book a dark, intriguing overlay. Lest things become too intense, however, the author's wry sense of humor easily lightens the situation, often harking back to earlier noir writers: "she had the kind of body that caused highway pileups after Sunday services." In his novel's acknowledgments, Connolly modestly writes, "As each novel progresses, the depths of my ignorance become more and more apparent." Also becoming more apparent are the depths of this author's psychological acumen, literary skills and prodigious creativity. (Sept.) Forecast: Connolly, an Irishman who writes American suspense better than most American writers, should charm readers on his 15-city tour. Expect The Killing Kind, released around the same time as the mass market paperback of Dark Hollow, to knock his sales up a few notches.