JO NESBØ is a musician, songwriter, and economist, as well as a writer. His Harry Hole novels include The Redeemer, The Snowman, The Leopard, and Phantom, and he is also the author of several stand-alone novels and the Doctor Proctor series of children's books. He is the recipient of numerous awards, including the Glass Key for best Nordic crime novel.
Praise for Knife:
“'Knife', Mr. Nesbo's 12th Harry Hole book, translated from the
Norwegian by Neil Smith, is arguably the best entry yet in the
author's outstanding series. ... The moral conundrums in 'Knife'
are Dostoevskian, the surprises are breathtaking, the one-liners
are amusing and the suspense is unrelenting. This is that rare
lengthy book that one wouldn't want shortened by even a single
page.”—Tom Nolan, The Wall Street Journal
“Does anyone write creepier villains than Jo Nesbo? … No, I can’t
think of anyone who makes my skin crawl like Nesbo.”—Marilyn
Stasio, The New York Times Book Review
“‘Knife’ is indeed a sharp example of its genre. The pages turn,
the violence is brutal, and the characters are well-drawn and
mysterious. … The book is dense, but brisk. … Nesbo has a great
sense of pacing. Each reveal – did he do it? did she? – is
meticulously laid out as he takes readers along for the ride. … The
final whodunit is powerful and leaves Harry – and readers –
wondering what’s next.”—Rob Merrill, Associated Press
“‘Knife’ is a reminder of why people read [Nesbo’s] books. …
Thicker and more complex than most of the earliest Nesbo novels –
including his often-slender standalone books – ‘Knife’ resembles in
its heft and sweep ‘The Redbreast’ … The novel ends with a
fascinating series of shifts and reframings both dramatically
satisfying as fiction and – in the real, Norwegian world of
crime-fighting in which the novel is set – ethically queasy. … It
also leaves Harry on what can only be called a knife’s edge. The
bad, or at least, ambiguous news for the novel’s characters is good
news for the rest of us: There will, it seems, be more of
these.”—Scott Timberg, Los Angeles Times
“Stunning. Intense. Breathtaking. … Jo Nesbø has written the
perfect thriller. A plot thick with intense imagery and nail-biting
terror, and a protagonist so broken, you can’t help but want him to
win.”—Suspense Magazine
“[Knife leaves] Nesbo on equal footing with Michael Connelly and
Hole on the same level as Harry Bosch. This is crime noir at its
absolute best – edgy, dark and showcasing one of the finest
detective characters in modern fiction.”—Jon Land, The
Providence Journal
“[Knife] may be Nesbø’s best storytelling yet. It’s not just
clever; it’s diabolical, and let’s be glad it is, because the
corkscrewing plot provides a measure of relief from the pain on
view in this uncompromisingly intense and brilliant
novel.”—Booklist, Starred Review
“Perhaps the most surprising development in this first-rate
installment in the [Harry Hole] series is the tender emotion that
wafts through Hole’s tortured self-reckonings. He’s the exception
that makes the rule about there being no tears allowed on the crime
beat.”—Lloyd Sachs, Chicago Tribune
“[Knife] unfolds with a cutthroat ferocity … This is an
ultra-satisfying, seat-of-your-pants action mystery.”—San Francisco
Book Review
“[Knife is] a book that contains at once the Harry we have come to
expect and the Harry we hoped was somewhere underneath all that
Hole bravado. … The book’s abundant subplots are miraculously tied
together in a violent, remarkably satisfying denouement. Most
importantly, though, there’s still the emphatically compassionate,
stubbornly singular creation that is Harry Hole. It’s good to find
him still on our side.”—Steve Whitton, The Anniston Star
Praise for the work of Jo Nesbø:
“Jo Nesbø is my new favorite thriller writer and Harry Hole is my
new hero.”—Michael Connelly
“Nesbø writes like an angel. As in Lucifer.”—The Philadelphia
Inquirer
“Nesbø explores the darkest criminal minds with grim delight and
puts his killers where you least expect to find them. . . . His
novels are maddeningly addictive.”—Vanity Fair
“Jo Nesbø has ripped the throat out of the serial-killer genre.
He’s exsanguinated it, soaking up every dark pleasure and wringing
them out onto the page. There’s no need to ever read another one,
Nesbø has so completely deconstructed the trope with a
multi-dimensional novel that blurs lines among crime, psychological
procedural and, yes, horror thrillers. . . . [Hole] survives in a
literary landscape dreamt up by Stephen King or Edgar Allen Poe. .
. . Brilliant . . . Nesbø shows his true mastery . . .
Nesbø’s plots are evocative of James Ellroy and Lee Child
with crime layered upon crime.” —Robert Anglen, Arizona
Republic
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