The book is a beautiful object, a love note to good printing and
care for materials, with soft cloth you want to rub against your
cheek and a three-color foil stamp in black, neon orange, and gold.
It's the kind of book printers send out as a sample to show what
they can do. Its contents, on the other hand, and I believe the
contrast is intentional, seem designed to make you so uncomfortable
that the resulting feeling is about half an inch away from
This book has plenty of good reads, but it will also make you very uncomfortable. That impact, however, is a rare one from any artform, and it feels like something new and important.--Hilllary Brown "Paste Magazine "
Every few years a comics compilation arrives for those of us who like our stories sans superheroes and a little cutting-edge.
I own three previous Kramers books, and all of them feature some of my favorite artists, along with several up-and-comers. This time around, editor Sammy Harkham chose creators that "reflect a more specific and unified aesthetic space of discipline, sophistication, and quiet power."--Whitney Matheson "USA Today "
Despite featuring a much smaller roster than previous volumes in the series, and despite a much less "noisy" visual aesthetic than that which has characterized the series since its phone book-sized fourth volume caused a sensation upon its release at the MoCCA Festival in 2003, Kramers Ergot 8 has an intensity that's tough to shake.
A cheekily provocative introductory essay from musician Ian Svenonius and a massive selection of racy reprinted Oh, Wicked Wanda! comics from the pages of Penthouse prove perplexing - but it's a good perplexing, because it forces the reader to consider just how fingernails-on-a-chalkboard effective the rest of the volume is at discomfiting them.--Sean T. Collins "Robot 6 "