Published in conjunction with two backlist re-releases and new work
(Collapse of Horses)
Sampler BLAD with Open Curtain & Father of Lies to be sent in
Collapse of Horses mailings
Submitted as a slipcased set to Powell's Indiespensable
National print, radio, and online campaign
Targeted bookseller mailing
Advertising: Bookforum, Shelf Awareness
Promotion at: BookExpo America, Winter Institute, ALA Annual,
AWP
Promotion on Coffee House Press e-newsletter, website, and social
media channels
Giveaways on Twitter, Goodreads
Simultaneous print and e-book release, with e-book ISBN to be
included on all press materials, author and publisher websites, and
whenever print ISBN is listed
Targeted publicity to promote author's speaking engagements
Praised by Peter Straub for going "furthest out on the sheerest, least sheltered narrative precipice," Brian Evenson is the recipient of three O. Henry Prizes and has been a finalist for the Edgar Award, the Shirley Jackson Award, and the World Fantasy Award. He is also the winner of the International Horror Guild Award and the American Library Association's award for Best Horror Novel, and his work has been named in Time Out New York's top books.
“The clinical tone with which Evenson is able to traverse such
situations, and the strange stark architecture of their world,
makes even the most insidious or repulsive situations seem
plausible, mathematical, nearby. Nothing is real, so everything is
real.” —VICE
"The deceptively simple prose keeps the book brisk and even
gripping as its puzzles grow more craggy and complex. This is
Evenson's singular, Poe-like gift: He writes with intelligence and
a steady hand, even when his characters decide to lop their own
limbs off." —Time Out New York
“[Last Days] is a novel that must be read by fans of mysteries,
noir, and horror if they want to have an idea of what those genres
can be. . . . Brian Evenson is the kind of writer who should be
rediscovered by every generation.” —Vol. 1 Brooklyn
“Last Days . . . is a detective novel and a cult novel (in that it
is about cults—though perhaps the other designation would work too)
and a brutal horror novel and a fine work of minimalist literary
fiction.” —LitHub
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