James M. Salem was a professor emeritus in and longtime chair of the Department of American Studies at the University of Alabama.
"A scholarly work and a piece of genuine research, yet it reads
easily and has a feel for both period and musical form. . . . A
fine line between academic rigour and narrative drive is expertly
negotiated. It also leads you scurrying off to those haunting,
delicate songs that meant so much to so many listeners."--Pop
Matters Book Review
"Salem's work represents how academic history can bring greater
insight and greater accuracy to the recording of popular music
history. . . . [This volume] is a terrific read and keeps you
turning the pages, even when you know how it ends. This is the most
exciting book on popular music that this reviewer has read in the
past few years."--Robert Pruter, Goldmine
"This meticulously researched volume tells the tragic tale of the
star-crossed Memphis crooner whose most famous record "Pledging My
Love" rode up the charts in 1955, the year after the talented
singer died of a self-inflicted gunshot wound. The book also sheds
serious light on the powerful changes undergone by pop music in the
'50s, changes whose effects are still being felt. Just as valuable
are the illuminating portraits Salem paints of the thriving
musical, social, business, and cultural scenes that existed in
Memphis and Houston in the late '40s and '50s."--Kevin
Toelle, Illinois Entertainer
"Salem's book is the first all-embracing look at Ace, known for his
posthumous hit, 'Pledging My Love'. . . . Read Salem's account--an
essential addition to books on Memphis music--and Ace seems all too
tragically human."--Bill Ellis, Commercial Appeal
"[Salem] has brought his brilliant research skills to almost every
aspect of the history, society, music and popular culture that
created the Johnny Ace phenomenon, and every ramification of his
death from Russian roulette on Christmas Day, 1954. . . . This is a
magnificently historical work, and, of huge interest to music
lovers. . . . A genuine high point in the bibliography of our
music."--Pete Bowen, Now Dig This
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