About the Author

Ross King is the highly praised author of Brunelleschi's Dome (the Book Sense Nonfiction Book of the Year in 2000), Michelangelo and the Pope's Ceiling (on the New York Times extended bestseller list), The Judgment of Paris, Machiavelli: Philosopher of Power, and two novels, Ex Libris and Domino. He lives outside Oxford in England.

Reviews

"King gives us a gripping account of how that painting was created...[and] deftly situates the painting in a historical context... [a] fascinating volume." --Michiko Kakutani, The New York Times"[A] lively history." --The New Yorker"The story of Leonardo's creation of the work has now found an ideal chronicler in Ross King, author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which have won plaudits for their concise, close-focus study of great renaissance achievements. King has the gift of clear, unpretentious exposition, and an instinctive narrative flair" --Charles Nicholl, Guardian"Leonardo and the Last Supper is meticulously researched, gracefully written and fascinating to read." --The Cleveland Plain Dealer"Ross King, an English novelist and historian, tells the story, in Leonardo and the Last Supper, of the improbable creation of one of art's greatest masterpieces. With a fiction writer's feel for character, King depicts a supremely ingenious, enigmatic, stubbornly independent, and underachieving Leonardo, and, with a nonfiction writer's skill, he sets the sketch against a richly described background of a society in creative and often violent ferment." --Philadelphia Inquirer"King brings to precise life a fully dimensional, irresistibly audacious, and wizardly Leonardo and his powerfully affecting, miraculously surviving mural. Readers will love the dramatic, vivid, and brainy mix of biography and art history King cooks up" --Booklist, starred review"King provides a fascinating look at the artist's life, including his reputation among his patrons as unreliable, and his relationships with those he worked with and for--including a young boy named Giacomo, who 'held a great physical attraction for Leonardo.' However, King's speculations are never salacious; rather, they help place Leonardo's life into the context of Florence's history of sexual tolerance and subsequent religious crackdowns...the book proves most lively when tackling common misconceptions about the painting, with The Da Vinci Code coming in for special criticism." --Publishers Weekly"An absorbing study of a disappearing masterpiece...King places the painting in its political, social and artistic context, describing both the meaning of da Vinci's work and the violent 15th-century Italian world that spawned it...King plumbs the painting's religious, secular, psychological and political meanings, registered in the facial expressions and hand positions, the significance of the food on the table and, most fascinatingly, the salt spilled by the betraying Judas...King's book is an impressive work of restoration--the author helps readers see this painting for the first time." --Kirkus Reviews, starred"A fascinating and in-depth story of one of the world's most famous works of art that will appeal to general readers as well as academics. Highly recommended." --Library Journal, starred review"The colorful back story is restored and revealed in Leonardo and The Last Supper, a new book by British author Ross King that quickly dispenses with the outlandish myths spread by The Da Vinci Code novel -- while showing that history is in many ways more surprising than Dan Brown's popular fiction." --New York Post"The story of Leonardo's creation has now found an ideal chronicler in Ross King, author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which have won plaudits for their concise, close-focus study of great renaissance achievements. Clear, unpretentious exposition." --The Guardian

King gives us a gripping account of how that painting was created...[and] deftly situates the painting in a historical context [a] fascinating volume. "Michiko Kakutani, The New York Times" [A] lively history. "The New Yorker" The story of Leonardo's creation of the work has now found an ideal chronicler in Ross King, author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which have won plaudits for their concise, close-focus study of great renaissance achievements. King has the gift of clear, unpretentious exposition, and an instinctive narrative flair "Charles Nicholl, Guardian" "Leonardo and the Last Supper" is meticulously researched, gracefully written and fascinating to read. "The Cleveland Plain Dealer" Ross King, an English novelist and historian, tells the story, in Leonardo and the Last Supper, of the improbable creation of one of art's greatest masterpieces. With a fiction writer's feel for character, King depicts a supremely ingenious, enigmatic, stubbornly independent, and underachieving Leonardo, and, with a nonfiction writer's skill, he sets the sketch against a richly described background of a society in creative and often violent ferment. "Philadelphia Inquirer" King brings to precise life a fully dimensional, irresistibly audacious, and wizardly Leonardo and his powerfully affecting, miraculously surviving mural. Readers will love the dramatic, vivid, and brainy mix of biography and art history King cooks up "Booklist, starred review" King provides a fascinating look at the artist s life, including his reputation among his patrons as unreliable, and his relationships with those he worked with and for including a young boy named Giacomo, who held a great physical attraction for Leonardo. However, King s speculations are never salacious; rather, they help place Leonardo s life into the context of Florence s history of sexual tolerance and subsequent religious crackdowns the book proves most lively when tackling common misconceptions about the painting, with The Da Vinci Code coming in for special criticism. "Publishers Weekly" An absorbing study of a disappearing masterpiece King places the painting in its political, social and artistic context, describing both the meaning of da Vinci s work and the violent 15th-century Italian world that spawned it King plumbs the painting s religious, secular, psychological and political meanings, registered in the facial expressions and hand positions, the significance of the food on the table and, most fascinatingly, the salt spilled by the betraying Judas King s book is an impressive work of restoration the author helps readers see this painting for the first time. "Kirkus Reviews, starred" A fascinating and in-depth story of one of the world's most famous works of art that will appeal to general readers as well as academics. Highly recommended. "Library Journal, starred review" The colorful back story is restored and revealed in Leonardo and The Last Supper, a new book by British author Ross King that quickly dispenses with the outlandish myths spread by The Da Vinci Code novel while showing that history is in many ways more surprising than Dan Brown s popular fiction. "New York Post" The story of Leonardo's creation has now found an ideal chronicler in Ross King, author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which have won plaudits for their concise, close-focus study of great renaissance achievements. Clear, unpretentious exposition. "The Guardian""

"King gives us a gripping account of how that painting was created...[and] deftly situates the painting in a historical context... [a] fascinating volume."--Michiko Kakutani, "The New York Times" "[A] lively history."--"The New Yorker
""The story of Leonardo's creation of the work has now found an ideal chronicler in Ross King, author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which have won plaudits for their concise, close-focus study of great renaissance achievements. King has the gift of clear, unpretentious exposition, and an instinctive narrative flair" --Charles Nicholl, "Guardian""" ""Leonardo and the Last Supper" is meticulously researched, gracefully written and fascinating to read."--"The Cleveland Plain Dealer" "Ross King, an English novelist and historian, tells the story, in Leonardo and the Last Supper, of the improbable creation of one of art's greatest masterpieces. With a fiction writer's feel for character, King depicts a supremely ingenious, enigmatic, stubbornly independent, and underachieving Leonardo, and, with a nonfiction writer's skill, he sets the sketch against a richly described background of a society in creative and often violent ferment."""--"Philadelphia Inquirer""" "King brings to precise life a fully dimensional, irresistibly audacious, and wizardly Leonardo and his powerfully affecting, miraculously surviving mural. Readers will love the dramatic, vivid, and brainy mix of biography and art history King cooks up" - "Booklist, starred review" "King provides a fascinating look at the artist's life, including his reputation among his patrons as unreliable, and his relationships with those he worked with and for--including a young boy named Giacomo, who 'held a great physical attraction for Leonardo.' However, King's speculations are never salacious; rather, they help place Leonardo's life into the context of Florence's history of sexual tolerance and subsequent religious crackdowns...the book proves most lively when tackling common misconceptions about the painting, with The Da Vinci Code coming in for special criticism." - "Publishers Weekly""An absorbing study of a disappearing masterpiece...King places the painting in its political, social and artistic context, describing both the meaning of da Vinci's work and the violent 15th-century Italian world that spawned it...King plumbs the painting's religious, secular, psychological and political meanings, registered in the facial expressions and hand positions, the significance of the food on the table and, most fascinatingly, the salt spilled by the betraying Judas...King's book is an impressive work of restoration--the author helps readers see this painting for the first time." - "Kirkus Review, starred""A fascinating and in-depth story of one of the world's most famous works of art that will appeal to general readers as well as academics. Highly recommended." - "Library Journal, starred review
""The colorful back story is restored and revealed in Leonardo and "The Last Supper," a new book by British author Ross King that quickly dispenses with the outlandish myths spread by "The Da Vinci Code" novel -- while showing that history is in many ways more surprising than Dan Brown's popular fiction." - "New York Post" "The story of Leonardo's creation has now found an ideal chronicler in Ross King, author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which have won plaudits for their concise, close-focus study of great renaissance achievements. Clear, unpretentious exposition." - "The Guardian"