Philip Marsden is the author of A Far Country: Travels in Ethiopia, The Crossing Place: Among the Armenians (which won the Somerset Maugham Award), The Bronski House, The Spirit-Wrestlers: And Other Survivors of the Russian Century‘(winner of the Thomas Cook Travel Book of the Year Award) and the novel The Main Cages. He is the editor of The Spectator Book of Travel Writing and is a fellow of the Royal Society of Literature. His work has been translated into ten languages.
"This is a simply splendid book… Marsden’s writing is delightfully honed as well as being profoundly well-researched. The Levelling Sea is a microcosm of British history, contained within its covers like a ship in a bottle… Marsden takes a spyglass to the past and shows us it in vivid colour. Convincing in its detail and exciting in its sweep, this portrait of a port and its people sails deep into the reader’s imagination." Philip Hoare, Sunday Telegraph "A swashbuckling, but not unserious exploration of bravery, politics and 'fortunes…as liquid as the sea that yielded them.'’ Financial Times "Outstanding…his pitch-perfect feel for a phrase, plus a gift as sublime as James Hamilton-Paterson or Jonathan Raban’s for describing water, lifts The Levelling Sea far above ordinary history towards a state closer to poetry. This is the best of our island’s liquid tale, told the way it should be." Bella Bathurst, Sunday Times ‘Wonderfully poetic’ Sunday Times "…Had Philip Marsden simply used his travel-writing skills to create a hymn to our surrounding seas, and had he decorated it with magical vocabulary alone, the book would have surely been a flawless triumph. But Mr Marsden has done a great deal more than that." Simon Winchester, We Love This Book "The outstanding read of the season… This is a strange, absorbing story, brilliantly told… The best non-fiction expands the particular to the general, and perpetually discovers the marvellous in the ordinary. Marsden pulls this off every time… Read for a good story and beautiful, unpretentious writing. Read it for its introduction, a brilliant essay on seagoing, or for no particular reason. But read it." Marine Quarterly ‘[The growth of Falmouth is] a way of exploring our relationship with the sea, and its place in history and imagination.’ The Countryman
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