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The Life Eaters


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In 1986, science fiction writer Brin (Startide Rising; The Kiln People) published a novella, "Thor Meets Captain America," an alternate-history story in which the Nazis win WWII by enlisting the aid of the Norse gods (except for Loki, who assists the American resistance). With an understandable title change, this graphic novel expands on that story and presents a sequel to it. There are lots of imaginative details here: battles between jet fighters and gigantic Norse birds; a submarine carrying a crew of mythological dwarfs; and some clever speculation on the way that history might have turned in the past 60 years (e.g., the "Khmer Bleu"?). But there's also a certain amount of heavy-handed preachiness: an inappropriately clunky vision of ash-induced global warming; a dreadfully sappy scene in which leaders of every religion put aside their differences to defend the planet; and a climactic scene in which a human is tempted by divine power that's straight out of a mid-1960s superhero comic. Fantasy artist Hampton is at his best when he gets to illustrate larger-than-life images (such as the gods or Yggdrasil, the World Tree-or even the devastation of the Asian killing fields), if a bit less adept at the book's punch-'em-up action scenes and talking-heads sequences. (Nov. 2003) Copyright 2003 Reed Business Information.

This book's first third is a comics adaptation of Brin's Hugo Award-nominated story, "Thor Meets Captain America," in which the Nazis are aided in World War II by the Norse gods. When one American, Chris Turing, discovers the terrible secret behind the gods' appearance, he stands up to them in the face of death. In the remainder of the book, a man inspired by Turing's defiance is given the opportunity, and the power, to fight the Nazis' gods-but now the gods of other pantheons are roaming Earth as well. Brin's desire to downplay the role of heroes and highlight the good work of the average person is notable in a field full of superheroes, but in the end it mitigates the strength of the story. Hampton's full-color paintings are realistic and often powerful. DC recommends the book for mature readers owing to bloody violence and minor nudity. Recommended for larger collections, for midteens and up. Copyright 2004 Reed Business Information.

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