About the Author

Steve Waters is a playwright whose plays include: The Last King of Scotland, adapted from the novel by Giles Foden (Sheffield Theatres, 2019); Limehouse (Donmar Warehouse, 2017); Temple (Donmar Warehouse, 2015); Why Can't We Live Together? (Menagerie Theatre/Soho/Theatre503, 2013); Europa, as co-author (Birmingham Repertory Theatre/Dresden State Theatre/Teatr Polski Bydgoszcz/Zagreb Youth Theatre, 2013); Ignorance/Jahiliyyah (Hampstead Downstairs, 2012); Little Platoons (Bush Theatre, 2011); The Contingency Plan (Bush Theatre, 2009; revived in a new version at Sheffield Theatres, 2022); Fast Labour (Hampstead, in association with West Yorkshire Playhouse, 2008); Out of Your Knowledge (Menagerie Theatre/ Pleasance, Edinburgh/East Anglian tour, 2006-8); World Music (Sheffield Crucible, 2003, and subsequent transfer to the Donmar Warehouse, 2004); The Unthinkable (Sheffield Crucible, 2004); After the Gods (Hampstead Theatre, 2002); and English Journeys (Hampstead Theatre, 1998).

His writing for television and radio includes Safe House (BBC4), The Air Gap, The Moderniser (BBC Radio 4), Scribblers and Bretton Woods (BBC Radio 3).

He ran the MPhil in Playwriting at Birmingham University between 2006 and 2011, and is now Professor of Scriptwriting at the University of East Anglia, where he convenes the MA in Creative Writing: Scriptwriting programme. He is the author of The Secret Life of Plays, published by Nick Hern Books.

Reviews

'Bitterly funny... the story of the SDP is one of political history's most intriguing "what if's". Limehouse expertly adds to its mystique'
*Telegraph*

'Richly enjoyable… Steve Waters' deliciously well-written, quick-paced play is timely… the clash of politicians' vanities feels spot on'
*Daily Mail*

'A highly intelligent account of the birth of the SDP… Waters characterizes his protagonists with great clarity'
*The Arts Desk*

'Steve Waters sharply characterises each member of the gang and allows them a turn in the spotlight… admirably brings to life a key moment in postwar politics'
*Guardian*

'A smart take on the Gang of Four… political drama of intellectual heft topped with a deliciously nimble-footed humour'
*Evening Standard*

'Funny, serious, timely… the glory of this surprisingly moving play is that it is no cynically hopeless Thick Of It. It does not despise politicians. It gives each of this ill-assorted quartet credit for real faith and real decisions'
*TheatreCat*

'Intelligent and timely… fascinating contemporary parallels abound'
*The Stage*

'What starts as a thought-experiment evolves into a compelling political debate about the heart and soul of the British left… it's all so bloody brilliant. Smart, slick, sophisticated, and steeped in political history with a refreshing lack of grandeur'
*Exeunt Magazine*