About the Author

Christopher de Bellaigue is the award-winning author of five books, including The Islamic Enlightenment, which was shortlisted for the Baillie Gifford Prize for Non-fiction and the Orwell Prize for Political Writing in 2017.

As a reporter in the 1990s and 2000s, he covered the politics and invasions that shaped Turkey, the Middle East and South Asia for, among others, the Economist, Guardian and New York Review of Books. He has also made television and radio programmes and has lectured at universities and in boardrooms around the world.

Reviews

There are books that enlarge the mind, there are books that enrich the soul, but rarely comes a book so beautifully-written and profound that it manages to do both
*ELIF SHAFAK, author of The Island of Missing Trees*

The most daring history book of the year ... told in the present tense with all the dash and flair of a novel. The research is faultless: we are immersed ... it brilliantly conveys a sense of colour and momentum, placing the reader in the thick of the action. Unforgettable
*The Times & Sunday Times Best Books of 2022*

This is history, but not as we know it. It is non-fiction posing as a novel, rich in incident and cinematic detail ... it's tremendous
*Sunday Times*

An urgent, immersive, present-tense gallop ... the book reads as a non-fiction novel ... cinematically vivid tableaux ... Each spangled scene ... rests on a solid foundation in the primary sources ... De Bellaigue enriches his storytelling with the colourful, meticulous dispatches of its traders, envoys and spies ... behind the bejewelled descriptive prose a thumping pulse of action tugs us through ... de Bellaigue's glittering, deft and often witty prose adds pleasure to each page
*Financial Times*

Luminous, erudite ... a gripping account that evokes an epic poem, saga or 'book of kings' ... It is as immersive as the blurb claims, conjuring the world of the eastern Mediterranean, Anatolia and south-eastern Europe in the early 16th century with the limpid clarity of the many gems that stud its pages ... Even more than the detail, it is the characters that intrigue and often inspire ... The book leaves the reader with Suleiman truly magnificent
*Spectator*

Mesmerising . . . steeped in the sensuous detail of banquet and ceremony, stratagem and conspiracy
*Colin Thubron*

A brilliantly written account of the Ottoman empire in all its opulence and brutality. Rich in colourful historical anecdotes, de Bellaigue brings 16th-century statecraft vividly alive, and offers a chilling insight into the ruthlessness and loneliness of one of the most powerful men of the age
*Guardian*

A vivid, cinematic account of the rise of Suleyman the Magnificent ... de Bellaigue follows with exhilarating clarity and suspense the era's broader battles across Europe, North Africa, and the Middle East, and the individual trajectories - grand ambitions, rivalries, betrayals - of these outsiders in Suleyman's court, a place rife with intrigue and back-stabbing, rich with colourful characters
*Harper's*

Those lucky readers who come to Christopher de Bellaigue's book in proximity to reading Mantel can suddenly have a new panel thrown open to them like an unfolding altarpiece ... all written in the present tense. This creates the obvious sense of liveliness and urgency ... Bellaigue sets about the task with such confidence and skill that it works ... a dazzling and dark work. Witty and often wise, it speaks to the frailties and the precarity of power
*The Times*

Vivid and compelling ... He presents his story like a novel, but it is not fiction; every detail has been diligently researched, for example by perusing diaries in difficult Venetian dialect ... Whether he is describing a lavish dinner for Italian merchants on the Bosporus, the stately progress of Suleiman's armies through the Balkans or a mass circumcision, he has an eye for the colourful, absurd and ironic ... As this book shows, living in the penumbra of such supreme power can be seductive and intoxicating. But the end of the story is often tragic
*Economist*

Wolf Hall for the Ottoman Empire ... History at its most gripping
*Daily Telegraph*

This account really grips... it does so by bringing out the fascinating individuals, the adventure, the lurid details, the barbarities, the opulence and squalor and near misses of the story
*Evening Standard*

Poised effortlessly between two worlds and two ages, a book as pungent and mysterious as the age it depicts
*RORY STEWART*

A complex piece of history told with extraordinary clarity
*Spectator, *Best Books of 2022**

Christopher de Bellaigue has a magic talent for writing history It is as if we are there as the era of Suleyman the Magnificent unfolds
*ORHAN PAMUK, Nobel Laureate in Literature*

Essential reading for anyone wishing to understand political ambition and the role of narcissistic leaders and scheming courtiers in any age
*ROBERT PESTON, Political Editor ITV News*

Gripping, novelistic ... brisk and muscular ... written in a sure-footed historical present, the book creates a simulacrum of the 16th century through the painstaking accumulation of attested details ... [giving] the book its vividness and energy ... [De Bellaigue] writes with supreme confidence about power, diplomacy, clothing, avarice, war, statecraft and the exceptional brutality of the era ... While The Lion House unfolds like a novel, through scenes rich with authenticating detail
*The New York Times Book Review*

De Bellaigue is a riveting and expert guide to the story of Suleyman's quest for power
*PETER FRANKOPAN, author of The Silk Roads*

Narrated with a verve and flair that make the characters burst from the pages. Outstanding history and an incredibly good read
*EUGENE ROGAN, author of The Fall of the Ottomans*

Exquisite ... So arresting is this book, so enveloping in the tensions of its narrative, that most readers will feel a pang of sorrow that the tale does not run on. The Lion House leaves us with a tease, or taunt: "Who, apart from God, can say what will come next?" A sequel, surely. Although it was the peak of the Ottoman Empire, Suleyman's reign also offers clear glimpses of a great decline to come. Who better to tell us about it than Mr de Bellaigue?
*Wall Street Journal*

Non-fiction with the readability of a thriller. Unputdownable
*VICTORIA HISLOP, author of The Island*

Sensuous and scholarly, meticulously researched and deliciously irreverent, The Lion House is an intoxicating journey through the Ottomans' golden age
*AMBERIN ZAMAN, correspondent, Al-Monitor, Turkey correspondent for the Economist (1999-2016) and Fellow of the Woodrow Wilson Center, Washington, DC*

Reads like the most gripping fiction ... could very well be Netflix's next epic
*Radio Times*

The Lion House presents a historical universe that captivates and astonishes and is near-impossible to put down. A superb example of historical literature and research
*RICHARD WHATMORE, Professor of Modern History at the University of St Andrews*

Full of breath-taking events at the cross-roads of empires at a moment in history when notions such as Europe, Asia, Christianity and Islam were infinitely more fluid and permeable than they are today
*KEREM OKTEM, Professor of International Relations at Ca' Foscari University, Venice*

Original... de Bellaigue... offers a vivid presentation of events, re-imagined as scenes and episodes... a different, literary kind [of history]
*Times Literary Supplement*

De Bellaigue writes with impecable scholarship, piecing together contemporary accounts to create a thrilling narrative
*Church Times*

De Bellaigue is an expert stylist, sensitive to rhythm and vocabulary, and passionate in his pursuit of the fugitive detail that gives meaning to a whole episode
*Literary Review*

An exhilarating read
*Saga Magazine*

An engrossing book... This is history turned into drama and poetry, awesomely spectacular yet also intensely intimate
*iNews*