Table of Contents

List of Figures, List of Plates, List of Tables, List of Contributors, Series Preface, Acknowledgments, Introduction: Rethinking Literary Mapping, PART I. Mapping Methods: Systems, Approaches and Innovations, 1. Mapping the Emotions of London in Fiction, 1700–1900: A Crowdsourcing Experiment, 2. The Digital Poetics of Place-Names in Literary Edinburgh, 3. Geographical Text Analysis: Digital Cartographies of Lake District Literature, 4. Mapping Fiction: The Theories, Tools and Potentials of Literary Cartography, 5. Bloomsday’s Big Data: GIS, Social Media and James Joyce’s Ulysses, PART II. Mapping Practices: Places, Writers and Readers, 6. Mapping Fiction: Spatialising the Literary Work, 7. The Spatial Practices of Writing: Arnold Bennett and the Possibilities of Literary GIS, 8. Between ‘Distant’ and ‘Deep’ Digital Mapping: Walking the Plotlines of Cardiff’s Literary Geographies, 9. The Cestrian Book of the Dead: A Necrogeographic Survey of the Dee Estuary, PART III. Mapping Futures: Collecting, Curating and Creating, 10. Making the Invisible Visible: Place, Spatial Stories and Deep Maps, 11. From Mapping Text in Space to Experiencing Text in Place: Exploring Literary Virtual Geographies, 12. Spatial Frames of Reference for Literature Through Geospatial Technologies, 13. Geovisuality: Literary Implications, 14. ‘Setting the globe to spin’: Digital Mapping and Contemporary Literary Culture, Index

About the Author

David Cooper is Senior Lecturer in English Literature at Manchester Metropolitan University, UK, Christopher Donaldson is a Lecturer in Romanticism at the University of Birmingham, UK and Patricia Murrieta-Flores is a Senior Researcher in Archaeology at the University of Chester, UK