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The Locus of Meaning in Medieval Art
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Table of Contents

Introduction by Lena Liepe
Part 1. Methodological Issues Preface by Lena Liepe
The Study of Iconography and Iconology of Medieval Art: A Historiographic Survey by Lena Liepe
Panopticon of Art History: Some Notes on Iconology, Interpretation, and Fears by Elina Rasanen
Iconography and Anthropology: A Re-Evaluation of the Panofskian Model with an Anthropological Perspective by Soren Kaspersen
Visual Metaphors, Reinforcing Attributes, and Panofsky's Primary Level of Interpretation by Jan von Bonsdorff
The Image as Contact Medium: Mediation, Multimodality, and Haptics in Medieval Imagery by Hans Henrik Lohfert Jorgensen

Part 2. Case Studies Preface by Lena Liepe
Understanding Islamic Features in Norwegian Romanesque Architecture by Kjartan Hauglid
Looking at the Ladies: An Intervisual Approach to the Portraits of Jeanne de France, the Virgin, and St. Anne in the Lamoignon Hours (ca. 1415) by Ragnhild Bo
Iconography and Visions: St. Birgitta's Revelation of the Nativity of Christ by Maria H. Oen

About the Author

Lena Eva Liepe, University of Oslo, Norway.

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