List of Illustrations
Acknowledgments
Preface
Introduction: Literary Sources, Cinematic Frameworks
Part I: Neorealist Interiors in Word and Image
1. La terra trema (The Earth Trembles, 1948): Inhabiting The House
by the Medlar Tree, from Verga to Visconti
2. Ossessione (Obsession, 1941): In from the Outside: Literary
Interiors in Neorealist Exteriors
3. Senso (1954) and Le notti bianche (White Nights, 1957): Voice
and Body: Books through Stars of the Screen
Part II: The Super-Spectacle Adaptations
4. Rocco e i suoi fratelli (Rocco and His Brothers, 1960): Passion
and Pugilism in Visconti's Boxing Film
5. Il Gattopardo (The Leopard, 1963) and Il lavoro (The Job, 1962):
Wedding Bestseller with Blockbuster
6. La caduta degli dei (Götterdämmerung) (The Damned, 1969): A
Queer Macbeth in Nazi Uniform
Part III: The Late Works, Page to Screen
7. Vaghe stelle dell'Orsa (Sandra, 1965) and L'Innocente (The
Intruder, 1976): D'Annunzio, Decadence, and Tragic Masculinity
8. Lo straniero (The Stranger, 1967): Crime and Punishment in a
"Failed" Adaptation
9. Morte a Venezia (Death in Venice, 1971): Ode to the Elegant Art
of Adaptation
Bibliography
Filmography
Index
Brendan Hennessey is Associate Professor of Italian in the Department of Romance Languages and Literatures at Binghamton University, State University of New York.
"…the book has an admirable range and supplies a convincing account of the director's work in its Italian social context and of international film culture in the postwar decades." — CHOICE
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